A Quote by Lynn Coady

You know the actor's nightmare is getting up onstage and not being prepared? I think the writer's nightmare is giving a reading and somebody standing up and saying, 'That's not your story.'
The title of my book is 'American Histories,' plural. And as far as I'm concerned, my reading of history is it is a sort of nightmare. It is a sort of nightmare, and I'm trying to wake up from it. And as any nightmare, it's full of much that is unspeakable.
What happened when you woke up?" "I was having a dream. I don’t know what it was, but when I woke up, I had this awful realization that I was awake. It hit me like a brick in the groin." "Like a brick in the groin, I see." "I didn't want to wake up. I was having a much better time asleep. And that's really sad. It was almost like a reverse nightmare, like when you wake up from a nightmare you're so relieved. I woke up into a nightmare." "And what is that nightmare, Craig?" "Life." "Life is a nightmare." "Yes.
I didn't want to wake up. I was having a much better time asleep. And that's really sad. It was almost like a reverse nightmare, like when you wake up from a nightmare you're so relieved. I woke up into a nightmare.
When I was a little girl, my family was extremely close, loving and really happy, and then overnight, things just became a nightmare, and instead of them becoming a nightmare and getting better, they became a nightmare and just kept getting worse.
I'll give you my worst nightmare. I'm dreaming that I'm onstage, the curtain goes up, and I have no idea what my lines are or what's going on. I think I should know, I kind of know, I remember rehearsing... and the audience is there waiting.
I think my worst nightmare is standing up in front of a group of people.
There's lots of things that can be solved with cash. And there's occasional things that can't be solved with cash, which become a bureaucratic nightmare for some reason, and there's no distinction between the two. There's no way of reading a situation and saying, "Yes, that'll be a bureaucratic nightmare, but that one we'll be able to buy off." It just depends on the day, apparently.
Getting trapped back in the '80s, it's almost like a comic nightmare, which for me is a very real nightmare. Every time I flip through the cable, I have flashbacks.
I had the nightmare when I was like nine or ten or something, I always remembered pieces of that nightmare, the feeling from it. I've always wanted to make a horror film and so I always kept thinking about that nightmare.
The nightmare in every democracy, the very nightmare, is if it gets worse and worse and worse, we could end up totalitarian.
I'm a quiet person's nightmare - the only time I shut up is when I'm reading, because I'm a book geek.
I am a quiet person's nightmare. The only time I shut up is when I'm reading, because I'm a book geek.
The nightmare? The nightmare was myself. I was my own nightmare.
For the world is founded and built up on death, and the reality of death is neither to be questioned nor feared. Death is a dark dream, but it is not a nightmare. It is mankind's lack of pity, mankind's fatal propensity for torture, that is the nightmare.
The only real reason for self-referencing is the fun factor. It's fun for the writer, getting little peeks at what old characters might be up to. And it's fun for readers to spot a familiar face, or pick up on a made-up book title or something from an earlier story. I don't know that it does -- or even should -- contribute to the story in hand being any better than it would have been without it.
I had, in a way, become 'The Nightmare' in the cage, but also out of the cage. That's why I changed to 'The Dream.' But 'The Nightmare,' is who I am as a fighter and that's the way it's going to stay. I'll be a nightmare inside the cage and a dream outside of it.
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