A Quote by Lynn Redgrave
And I really also wanted to have the full-body scans to learn if it was anywhere else - and it wasn't - before I told them. So I didn't tell them, until for a week, and then I told them.
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I don't know how I could have been more explicit. I gave them a roadmap and a flashlight, but they didn't go where I told them to go, they didn't look where I told them to look, they didn't tell the people I told them to call.
One day he said, "I'll tell this town How it feels to be an unfunny clown." And he told them all why he looked so sad, And he told them all why he felt so bad. He told of Pain and Rain and Cold, He told of Darkness in his soul, And after he finished his tale of woe, Did everyone cry? Oh no, no, no, They laughed until they shook the trees... And while the world laughed outside. Cloony the Clown sat down and cried.
I was in the process of growing dreads, they were down to my lip. I could whip them back and forth. Then I just thought to myself, "Is this really me? Can I really do this?" So I washed them out and went to the barber shop. I told them to give me a mohawk. But then there was this teenager also getting one. I couldn't do that.
When you tell them you're a writer, they say, 'What have you written?' And then you've got to tell them what you've done. I don't ask a plumber what he does. Then I have to explain what I've done, and I haven't really, you know. I've just told some stories.
When I got on that plane, it was loaded with white people going to Africa for the Peace Corps. I got there and met a lot of them, and actually they had more peace there in Guinea than I have here. I talked to some of them. I told them before they would be able to clean up somebody else's house you would have to clean up yours; before they can tell somebody else how to run their country, why don't they do something here.
I tell people to look at me and understand that everybody first told me that I couldn't be a 6-foot, 9-inch point guard, and I proved them wrong. Then they told me I couldn't be a businessman and make money in urban America, and I proved them wrong. And they thought I couldn't win all these championships, and I proved them wrong there as well.
I wanted to go to San Antonio. I told them I was coming. I had to tell them that I was changing my mind and staying with the Nets. It was a day later when I had to tell them, but when I got back to Jersey, when I started thinking about the process, I felt a little more comfortable staying home.
I always told my children that if they want to be pilot, go ahead and do it, or if they wanted to get into agriculture, I told them that I will support them. But when they chose music, you feel as if those birds have come back home to the nest.
With the artists, I don't teach, I coach. I can't tell them how to make art. I tell them to make more art. I tell them to get up early and stay up late. I tell them not to quit. I tell them if somebody else is already making their work. My job is to be current with the discourse and not be an asshole. That's all I wanted in a professor.
I've been told if you're an actress you can't sing, if you're a dancer you can't act, you can't do theatre and be respected if you've done a TV soap, you can't have a No. 1 record. All these different things they've told me I can't do, but I wanted to do them, so I've done them.
Conservatives hold on to things not only because they are attached to them, but also because they do not see the sense in radical change, until someone has told them what it will lead to.
I made a lot mistakes that I'm grateful for, because I won't make them again and I won't let my artists make them, or I'll tell them, 'Don't do this.' A lot of them still make them anyway, but you can't be told things when you're doing your own thing.
I just found out last week - my sister told me - that my father had some Beatles records. So I must have heard them quite a bit, but it never registered, really. Now I listen to them with new ears.
The first week I was in Iraq, I said, "This is what I want to do. I want to be a reporter and to tell stories of people whose stories would not be told if we don't gather them." It's part of what I think of as the one-two punch of journalism. You're trying to give voice to the voiceless, and then you're also trying to hold those in power accountable, regardless of what party they're in.
Older boys often asked me to teach them “some bad words in your language”. At first I politely refused. My refusal merely increased their determination, so I solved the problem by teaching them phrases like 'man kharam' which means “I'm an idiot”. I told them that what I was teaching them was so nasty that they would have to promise never to repeat it to anyone. They would then spend all of recess running around yelling “I'm an idiot! I'm an idiot!”. I never told them the truth. I figured someday, somebody would
I have told my sons that they are not under any circumstances to take part in massacres, and that the news of massacres of enemies is not to fill them with satisfaction or glee. I have also told them not to work for companies which make massacre machinery, and to express contempt for people who think we need machinery like that.
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