A Quote by Lynne Tillman
Now that I'm an older woman, I'm so much more aware of the changes - almost too aware. I feel sorry for being so dismissive. You have to think about what you're thinking about and realize that you're thinking it.
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Here's one from me: 'You have to be aware that everyone else is thinking far too hard about themselves to be thinking about you, whoever you are.' If you want it, you can have it. Once you know that, you can be free.
Sometimes people need to experience acute suffering before the thinking and the awareness of the consciousness separate. People then realize there is another dimension in them that is not thinking but the ability to be aware of thinking. It is not emotion but the ability to be aware of emotion.
We see and understand more about our behaviors. We come aware. And aware. And aware. . . Often, we feel uncertain about what to do with all this awareness.
I think the first thing to do is to be aware that you can choose what you're thinking about and that your life is going down the path that you're thinking.
I try to not think too much about how stuff gets seen as it's being done by a woman. Because if you think about it, then you end up thinking about how you're acting, and if you are thinking about how you're acting, then you are preoccupied and you're going to end up being insincere. You're kind of not present.
Almost any film that you do is an opportunity to open you up and make you more aware of an area that you might not be thinking about. That's what is kind of cool, or one of the cool things about this profession.
When we are not engaged in thinking about some definite problem, we usually spend about 95 percent of our time thinking about ourselves. Now, if we stop thinking about ourselves for a while and begin to think of the other person's good points, we won't have to resort to flattery so cheap and false that it can be spotted almost before it is out of the mouth.
I try to be aware of what I'm concerned about, aware of how I feel about myself in the world, aware of how I feel about the issues of the day, but I guess I don't want to write essays in my head about my craft and maybe it's because I teach and talk about craft of other writers as a reader. I feel the moment I start doing that is when it's going to kill me.
I love being a mother...I am more aware. I feel things on a deeper level. I have a kind of understanding about my body, about being a woman.
I'm much more of a risk taker. I'm more fearless now than when I was 18. I was much more self-aware and I cared too much about what people thought of me and now I really don't. I probably should.
I am thinking about those things now. More so than all my friends - they're a lot older than me, but they're not even thinking about babies.
I am much more aware of making the plot more original, avoiding contrivance, having the story matter much more. I used to think more about symbols consciously. Now I think much more about the story.
The typical response from people when I tell them I'm diabetic is, 'Oh, I'm sorry to hear that.' You know, I'm not. I'm a better athlete because of diabetes rather than despite it. I'm more aware of my training, my fitness and more aware of nutrition. I'm more proactive about my health.
When you are younger, you worry about what people think about you. When you are older, you realize that no one was ever thinking about you at all.
Really life is about narcissism; no one is ever thinking about you much. You always think people are thinking about you way more than they are.
When doing a series, I look for something that has an idea you can think about, something that I'm noticing and aware of and thinking about, because when you're doing a series, you think about more than just jokes... you know, when you're doing a comedy, you think about what's going to reflect people's experiences, in a way.
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