A Quote by Mackenzie Davis

I have taxidermy pets that are very close to me. I have a little lizard with a head that comes on and off that I call Nicolas Cage because his face is long. And I have a big diamondback rattlesnake called Rufus, and I have some rats in jars and stuff.
Here, kitty, kitty, Chico says. The cover of his cage is still on, making his tiny clown voice slightly muffled. I feel bad for him under there, just waiting to start his evil little day...Freud walks toward Chico in his slinky fashion, sits under his cage and just stares. We have satanic pets...our pets seem to have made a pact with the devil.
When I was a little girl, I used to try and bring sunshine to my mother. I felt so bad that she had never really seen or felt it. So I would try and catch it in jars. When that failed, I captured jars and jars of lightening bugs and told her that if we could catch enough of them, then it would look like the sun. She’d laugh, hug me, and then set them free and tell me that nothing should have to live its life in a cage. (Cassandra)
One evening at Chequers the film was Oliver Twist. Rufus, as usual, had the best seat in the house, on his master's lap. At the point when Bill Sikes was about to drown his dog to put the police off his track, Churchill covered Rufus's eyes with his hand. He said, "Don't look now, dear. I'll tell you about it afterwards."
Luke Cage is using his open hand instead of a closed fist. It's a little disrespectful but it's very effective. Some people call it a pimp slap, we call it smack-fu. He's doing you a favour by hitting you with an open hand. It hurts, it renders you unconscious but you live.
We've become great friends with Rob Zombie, and I gave him my original script for Halloween for his 40th birthday. Like, Nicolas Cage was there with a shrunken head he brought as a gift, all these things, and I'm thinking, "What can I give Rob Zombie? This is very weird." And I just happened to look at my pile of scripts and I went, "My kids don't need all these. I think I'll give him my original Halloween script, since he told me that was his favorite movie, and I was his favorite actress from that time period." I said, "He deserves to have that."
Actually, when I was young, I believe I met Nicolas Cage. I think I was probably eight, and I remember seeing him at somebody's house - it was an event and he happened to be there. People would ask me if I was his son, because I looked like him at that point, so I do remember feeling some connection and just wanting to say, like, 'Papa!'
It had ceased raining in the night and he walked out on the road and called for the dog. He called and called. Standing in that inexplicable darkness. Where there was no sound anywhere save only the wind. After a while he sat in the road. He took off his hat and placed it on the tarmac before him and he bowed his head and held his face in his hands and wept. He sat there for a long time and after a while the east did gray and after a while the right and godmade sun did rise, once again, for all and without distinction.
I remember I was very taken with a book called DreamTigers by [Jorge Luis] Borges. He was at the University of Texas, Austin, and they collected some of his writings and put them in a little collection. It's called DreamTigers in English, but it doesn't exist in Spanish. It's a little sampler. But that collection in English is what struck me, because in there he has his poems, and I was a poet as well as a fiction writer.
TV is a different animal. I belong on that little screen. The big silver screen, not so much, 'cause I've seen my face up close when it's 25-feet tall. I'm okay as long as you keep me in that little box.
The point at which we worked with some of these actors, they weren't really stars yet. Nicolas Cage was not a big star when we did Raising Arizona. A lot of these people were also virtually unknown, too, when we worked with them first.
There's very little in the substance of [THE LADY IN THE VAN] which is not fact though some adjustments have had to be made. Over the years Miss Shepherd was visited by a succession of social workers so the character in the play is a composite figure. . . . A composite too are the neighbours, Pauline and Rufus, though I have made Rufus a publisher in remembrance of my neighbour, the late Colin Haycraft, the proprietor of Duckworth's.
I love taxidermy. I collect taxidermy. I'm fascinated by the art of taxidermy. But on a more artistic level, I look at taxidermy as pulling something from the wild and taming it, and posing it in a style of your own personal pleasure that will last forever, and ever, and ever.
As a very small boy, my passion was nature, and I had pets - cats, a dog and a bunny rabbit - and I wrote a very small book called 'My Pets,' filled with their photographs and a discussion about my pets and how much I loved them... That was my first book.
Nicolas Cage is a great actor and he's done some good action movies too.
Bella." He strocked my face anxiously. "I'm not going anywhere. I'll be right here as long as you need me." "Do you swear you won't leave me?" I whispered. I tried to control the gasping, at least. My ribs were throbbing. He put his hands on either side of my face and brought his face close to mine. His eyes were wide and serious. "I swear.
He strips his shirt over his head and I catch my breath, watching those long hard muscles ripple. I know how his shoulders look, bunched, when he's on top of me, how his face gets tight with lust, as he eases inside me. "Who am I?" "Jericho" "Who are you?" He kicks off his boots, steps out of his pants. He's commando tonight. My breath whooshes out of me in a run-on word: "Whogivesafuck?
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