A Quote by Maggie Rogers

The reality of the music industry is that I was a 22-year-old college graduate who was able to walk into boardrooms and be the one in charge. It's incredibly empowering. I wasn't ready - I definitely was not ready - but I was prepared as I possibly could have been because I had studied the music industry.
I thought at 46 years old, I've been removed from the fashion industry for 10 years. I couldn't possibly write a model's book. That's for a 20-year-old. But I could say what I want to say without chastising the industry.
'The X Factor' was the final push I needed to have the presence and confidence on stage, which I didn't have before. It's a crash course in the music industry. If you can survive the show, you're ready for the industry.
A lot of people ask me, 'How did you have the courage to walk up to record labels when you were 12 or 13 and jump right into the music industry?' It's because I knew I could never feel the kind of rejection that I felt in middle school. Because in the music industry, if they're gonna say no to you, at least they're gonna be polite about it.
One of the things I haven't been ready for is how male-dominated the music industry is. I just didn't have a clue.
I warn the industry, they shouldn't underestimate the fact that Rob and Fab still have a lot of fans. And they should try to forgive us. Because we weren't bad for the music industry. We changed the music industry.
In music the mystical element is definitely there all the time, and one can see it. When it comes to rock and roll, when it comes to any kind of industry, it's not there. It's not there. So it's a battle between the two. Music, Industry.
I don't know if there was really ever a golden age of the music business. Most of what was released has always been garbage and some has been able to get through and last. I don't know that it was much better thirty years ago. The music industry just wasn't as efficient. The music industry was more oddball guys who did it for fun and now they are huge corporations that have become more structured.
I think the States is a huge part of the music industry worldwide. There are so many other artists and music industry people here, so I think to be working my audience here is definitely a go.
The problem is we never had a separate music industry, we always had film music industry. The west has it and that's why musicians are stars and icons there.
My biggest failure was trying to start and run a music label. The music industry was dying, and I wasn't ready to help other people the way that they needed to be helped. I was trying to, and I was stifling myself with it.
My father was a politician and I had no contacts in the music industry, but I could still do some good work because I was passionate enough and dedicated towards music.
Your peers are people in the business who are going to push you forward. So I think it's one of the reasons that Syracuse students come out truly ready for the industry because we've been rubbing elbows with people who are likeminded and just as 'pushy' or as ready to go as we are.
What happens to a lot of artists in the music industry right now is the following: The music industry is plummeting real fast. So as the industry plummets, what happens is that there is no deals being made.
I studied music for my first two years in college. When I went to UC Berkeley, I failed the admission requirements to get into the music school there, so I studied communications and public policy, which actually were a greater engine for my career than a musical education would have been. If I had gotten into the music department at Berkeley, I'd probably be a timpanist in an orchestra right now.
I've never been ready to do a single thing I've ever done in my life. I haven't been prepared enough, haven't studied enough, haven't known enough. You can never be ready. There's just so much to know.
I've been through the music industry and with the Internet the music industry is not what it used to be.
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