A Quote by Maggie Smith
There were male colleges, and there were very few female colleges.
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All the colleges I played, most of the colleges, they were white.
There's a reason why at most major universities and colleges the female-male enrollment is so out of whack. Thirty-five percent male versus 65% female. It used to be just the exact opposite. There's a reason.
There was a time I was no longer going to be black. I was going to be an 'intellectual.' When I was first looking around for colleges, thinking of colleges I couldn't afford to go to, I was thinking of being a philosopher. I began to understand then that much of my feelings about race were negative.
Once the troops move into Cambodia, the colleges and universities of this country were on the verge of civil war. Many closed down. The students were up in arms. And it looked very much like there were going to be real problems in this country.
One of the things that is nice about these old pastors - they were young at the time - who went into the Middle West is that they were real humanists. They were often linguists, for example, and the schools that they established were then, as they are now, real liberal arts colleges where people studied the humanities in a very broad sense. I think that should be reflected in his mind; appropriately, it is.
Colleges are like old-age homes, except for the fact that more people die in colleges.
I've never claimed that this is investment art. When we first started out, all the art colleges and universities across the country would sort of badmouth what we were doing. It's funny that a lot of them now are sending us letters saying, 'We may not totally agree with the way you paint, but we appreciate what you're doing, because you're sending literally thousands of people into art colleges.'
In the 1970s colleges were under the reign of a very odd form of literary theory called deconstruction or post-structuralism.
Community colleges are great bargains. They avoid the fancy amenities four-year liberal arts colleges need in order to lure the children of the middle class.
Enrollment in colleges, especially black colleges, across the country increased tremendously during the five-year run of 'A Different World,' and I don't think you could have a better legacy than that.
The rule in the women's colleges was that after 7 p.m. all men were beasts. Up until 7 p.m. they were all angels, and the girls simply had to learn to live with that routine and practise love in the afternoon.
Scripts were rather scarce in 1968. We did a lot of Amiri Baraka's plays, the agitprop stuff he was writing. It was at a time when black student organizations were active on the campuses, so we were invited to the colleges around Pittsburgh and Ohio, and even as far away as Jackson, Mississippi.
Female authors were still using male names when I was young, or they were neatly shoehorned into womens books except for those few that men could always point at when the disparity was pointed out.
The fetish of the great university, of expensive colleges for young women, is too often simply a fetish. It is not based on a genuine desire for learning. Education today need not be sought at any great distance. It is largely compounded of two things, of a certain snobbishness on the part of parents, and of escape from home on the part of youth. And to those who must earn quickly it is often sheer waste of time. Very few colleges prepare their students for any special work.
It is not as common as female/male prostitution, but yes my friends and I had female clients. But this is a request that most girls are not willing to do. No, we never saw it as anything different, because if ladies were paying for an escort, they were still considered our clients, and they were treated as such.
The '80s were a time of technical wonder in filmmaking; unfortunately, some colleges didn't integrate their film and theater departments - so you had actors who were afraid of the camera, and directors who couldn't talk to the actors.
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