A Quote by Maggie Stiefvater
My whole life, I had thought that my story was, again and again: Once upon a time, there was a boy, and he had to risk everything to keep what he loved. But really, the story was: Once upon a time, there was a boy, and his fear ate him alive.
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You're sad-looking," she said. "My grandson used to be such a happy boy. He used to write me stories. I remember the first story he ever wrote me, 'Once upon a time, there was a boy.' And that became 'Once upon a time there was a boy who wanted to fly.' And they kept getting better and better over time. I never found out if the boy got to fly." I gave her a small smile. If only she knew the boy's wings had been clipped.
There was a tale he had read once, long ago, as a small boy: the story of a traveler who had slipped down a cliff, with man-eating tigers above him and a lethal fall below him, who managed to stop his fall halfway down the side of the cliff, holding on for dear life. There was a clump of strawberries beside him, and certain death above him and below. What should he do? went the question. And the reply was, Eat the strawberries. The story had never made sense to him as a boy. It did now.
Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering.
Was it not his Self, his small, fearful and proud Self, with which he had wrestled for so many years, but which had always conquered him again, which appeared each time again and again, which robbed him of happiness and filled him with fear?
I just write all the time. In my whole life I've never had what I've heard people talk about writer's block. I've never had that. Life is like a song to me. I just hear everything in music, so I have never once thought "Well, I'm never gonna be able to write again." I've got thousands of songs.
Once upon a time there lived in Berlin, Germany, a man called Albinus. He was rich, respectable, happy; one day he abandoned his wife for the sake of a youthful mistress; he loved; was not loved; and his life ended in disaster. This is the whole of the story and we might have left it at that had there not been profit and pleasure in the telling; and although there is plenty of space on a gravestone to contain, bound in moss, the abridged version of a man's life, detail is always welcome.
Once, I thought I had a novel, and it turned out it was only a short story. I wrote about 800 pages, but it ended up being a short story. And if it ever happens to me again, I Will Go Insane.
Who will cry for the little boy, lost and all alone?
Who will cry for the little boy, abandoned without his own?
Who will cry for the little boy? He cried himself to sleep.
Who will cry for the little boy? He never had for keeps.
Who will cry for the little boy? He walked the burning sand.
Who will cry for the little boy? The boy inside the man.
Who will cry for the little boy? Who knows well hurt and pain.
Who will cry for the little boy? He died and died again.
Who will cry for the little boy? A good boy he tried to be.
Who will cry for the little boy, who cries inside of me?
I had a hard time on TV, the last time on television, so I wasn't sure that I wanted to do that again. But, I really am a big fan of Jenji and I knew this is her next thing, so I read it. And once I read the script, I was really, really impressed that there was a woman who was the centerpiece of her own story, and that she was in the center of her own narrative.
Once, this had been the life I’d wanted. Even chosen. Now, though, I couldn’t believe that there had been a time when this kind of monotony and silence, this most narrow of existences, had been preferable. Then again, once, I’d never known anything else.
I went out with this boy on the proviso that he didn't tell anybody we were together. The idiot didn't keep his mouth shut. I dumped him. I never went out with a boy from school again.
Each time a new war is disclosed in the name of the fight of the good against evil, those who are killed are all poor. It's always the same story repeating once and again and again.
How far we all come. How far we all come away from ourselves. So far, so much between, you can never go home again. You can go home, it's good to go home, but you never really get all the way home again in your life.
...
whatever it was and however good it was, it wasn't what you once had been, and had lost, and could never have again, and once in a while, once in a long time, you remembered, and knew how far you were away, and it hit you hard enough, that little while it lasted, to break your heart.
The boy, who did everything well and with a natural unslumped grace the wraith himself had always lacked, and whom the wraith had been so terribly eager to see and hear and let him (the son) know he was seen and heard, the son had become a steadily more and more hidden boy, toward the wraith's life's end; and no one else in the wraith and the boy's nuclear family would see or acknowledge this, the fact that the graceful and marvelous boy was disappearing, right before their eyes. They looked but did not see his invisibility.
It's only a story, you say. So it is, and the rest of life with it - creation story, love story, horror, crime, the strange story of you and I. The alphabet of my DNA shapes certain words, but the story is not told. I have to tell it myself. What is it that I have to tell myself again and again? That there is always a new beginning, a different end. I can change the story. I am the story. Begin.
It was at a vividly bad time in Norman Mailer's life that I met him, and a sort of water-treading time in mine. He had stabbed his wife, and I was a copy boy at Time magazine.
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