A Quote by Manoj Bajpayee

I would really want all my films to make money. But this weekend calculation is the most dangerous thing because, based on the amount collected in the first weekend, they start declaring the film a hit or a flop. It can't be.
The stakes are high on every film now because there's the opening weekend. The first week is extremely crucial; increasingly, films are being judged in terms of opening day, opening weekend, then first week. People are going berserk promoting their films.
You go to the cinema and you realize you're watching the third act. There is no first or second act. There is this massive film-making where you spend this incredible amount of money and play right to the demographic. You can tell how much money the film is going to make by how it does on the first weekend. The whole culture is in the crap house. It's not just true in the movies, it's also true in the theater.
From the time I was in first grade or so, my dad collected 'Star Wars' toy figures from the 1970s and '80s, and we'd take weekend family trips to antique shops and to toy stores. My father collected a crazy amount of 'Star Wars' stuff over the years, and he and I traveled to many conventions.
There are films that cost a lot of money that might be decent films. But if they don't perform in that first weekend or two, they're gone.
I started drinking when I was like 15, and by the time I was 19 everybody knew I was an alcoholic. So I would start five fights every weekend and lose terribly. First you start off fighting with one person and then he beats you up; and then one guy would be laughing, so you would hit him, too.
The bigger problem still is that it determines in many ways what movies get made in the first place. Because as sources of finance are considering a project, they ask themselves, "Does this lend itself to a simplistic marketing approach which will guarantee a big opening weekend?" As a movie-goer, I think that's tragic, because when you look back at those movies that made us fall in love with movies in the first place, most of them were not high-concept, and most of them would not have "won their weekend."
There is always pressure. If you make a flop film then you are under pressure to make a hit film. If you make a hit film then you are under pressure to surpass your own standard or at least deliver another hit because the audience also has expectations.
I just want my films to work. The hit or flop verdict really affects me. I seriously analyse what went wrong if a film turns out to be a dud!
I love film and I love sitcoms, and I was one of those kids that would just go to the movies on the weekend and spend my whole weekend watching all of the movies.
I like to work with people who want to make films because they are passionate about films and not because they want to sell films and make money. I am not for people who get the most saleable actor and then the most saleable director and sell the film.
This weekend the Conservative Political Action Conference, CPAC, featured several speakers including Sarah Palin and Phil Robertson from 'Duck Dynasty.' It was a good weekend for conservatives - and a great weekend for wild animals.
My film with Pawan Kalyan sir, 'Vakeel Saab,' came in theatres and collected humongous figures in the first weekend. It was a celebration for people. Then it released on an OTT, and people still watched it, it garnered high TRPs.
Some people work to have a weekend and so on the weekend they genuinely don't think about anything apart from the fact that they're on their weekend. Some people are like that so maybe some people would be like, "Yeah that'd be great. Take away my anxiety and give me a nice lounge chair." But I would be so not interested in that.
When I'm shooting, really the audience I'm thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.
My weekend might not start on a Friday like everyone else's, because I could be working on Saturday and Sunday. But when I do get the chance to have some weekend time, I like to hang out with my friends and just chill out on the couch - maybe we'll watch a documentary or a comedy.
No one can force you to do a film. I am responsible for the films I chose, hit or flop. I am where I am because of what those films taught me.
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