A Quote by Mara Wilson
Danny DeVito later told me that he knew he wanted me for 'Matilda' the second I walked in the door. I'm not sure if this is true, or if he was just being nice, but I was thrilled when I got it.
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Danny DeVito knows about the business from many different perspectives, because he is a producer and director as well as an actor. At one point we were on the set late at night and he said: 'come here I want to brush your hair'. I said 'ok'. He sat there brushing my hair and told me that his job before becoming an actor was as a hair stylist in Manhattan. I said "what?" But it is true.
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Most dictators were short, fat, middle-aged and hairless. Besides Danny Devito, there's only me to play them.
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A guy came up to me in the park and asked if I wanted to buy his CD. I said sure. He got panicked and told me he didn't actually have a CD, and he started crying and then told me he never made it and he's really sorry and called me 'Ralph.' New York's a really weird place.
I was in my second year at NYU. I knew what I wanted to do, and I just walked out of college. So, from the age of 17, I've been able to do what I wanted, and that makes for a kind of contentment, a fairly pleasant demeanor.
There's a kind of a line between music and math, so I guess I got the music gene, thank goodness. But my mother wasn't too thrilled. She wanted me to go to university and get a degree or do something, and my father, he liked opera so he wasn't too thrilled either, because he wanted me to be an opera singer and I didn't have - as he said, I don't really have the strength to do that.
When I was growing up, there was a man who gave me lessons and things. I'm very dyslexic so he used to give me extra reading and writing. And he always knew that I was interested in stuff but he never told me that he was in the Second World War himself. One day he gave me his helmet that he had worn through the North Africa Campaign. It was just before he died. So I've got his helmet. That was pretty special to me.
And I told you: I think of a photograph you took of me, up in Montreal. You told me to jump in the air, so in the picture, my feet are off the ground. Later, I asked you why you wanted me to do that, and you told me it was the only way to get me to forget about the expression on my face. You were right. I am completely unposed, completely genuine. In my mind’s eye, I picture myself like that, reacting to you.
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