A Quote by Marcel Marceau

Mime is an art beyond words. It is the art of the essential. And you cannot lie. You have to show the truth. — © Marcel Marceau
Mime is an art beyond words. It is the art of the essential. And you cannot lie. You have to show the truth.
Art is nothing tangible. We cannot call a painting 'art' as the words 'artifact' and 'artificial' imply. The thing made is a work of art made by art, but not itself art. The art remains in the artist and is the knowledge by which things are made.
The human mind cannot go beyond the gift of God, the Holy Ghost. To suppose that art can go beyond the finest specimens of art that are now in the world is not knowing what art is; it is being blind to the gifts of the spirit.
The Kafka paradox: art depends on truth, but truth, being indivisable, cannot know itself: to tell the truth is to lie. thus the writer is the truth, and yet when he speakes he lies.
Mythology is not a lie, mythology is poetry, it is metaphorical. It has been well said that mythology is the penultimate truth--penultimate because the ultimate cannot be put into words. It is beyond words. Beyond images, beyond that bounding rim of the Buddhist Wheel of Becoming. Mythology pitches the mind beyond that rim, to what can be known but not told.
Art is not truth; art is the lie which makes us see the truth.
We all know that Art is not truth. Art is a lie that makes us realize the truth, at least the truth that is given to us to understand.
We all know that Art is not truth. Art is a lie that makes us realize truth at least the truth that is given us to understand. The artist must know the manner whereby to convince others of the truthfulness of his lies.
I once had the nerve to ask Picasso the question, 'What is art?' He answered, 'Art is a lie which makes us see the truth.
Picasso said art is a lie that tells the truth. What if you just want to tell the truth and not lie about it?
Picasso said, 'Art is a lie that tells the truth.' What if you just want to tell the truth and not lie about it?
I started under my master, Etienne Decroux, who taught me a new grammar for mime he called statuary mime. This grammar brings style creations. Without it, no art survives.
What I've discovered is that in art, as in music, there's a lot of truth-and then there's a lie. The artist is essentially creating his work to make this lie a truth, but he slides it in amongst all the others. The tiny little lie is the moment I live for, my moment. It's the moment that the audience falls in love.
Much like teaching art to young art students age 10 to 15 or so on, you have to break it down into bite-sized pieces, essential components. You have to - you know, at this point I'm so used to operating within given assumptions about art. But when you're explaining art to art students or people who are new to this experience, you have to really go back to the fundamentals.
I'd much rather go to a Banksy art show than a Moby art show. My art is painfully naive.
To be pleasing to God, art must be true as well as good. Truth has always been one important criterion for art. Art is the incarnation of the truth. It penetrates the surface of things to portray them as they really are.
Fashion is also a form of art, and like every kind of art, it has its own way of expression. In other words, if a dress looks better on a thin girl, on a catwalk, during a very specific moment of time and space then it's represented as part of a "fashion Show". It is after all a "Show" and it has to be understood by people that it is a "show" and not real life.
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