A Quote by Marco Pierre White
I came from a hard, working-class world which, since my mother's death, had been dominated by men. I hadn't been encouraged to talk about the burden of grief, and because I was severely underdeveloped when it came to sharing my emotions, I mustn't have been the most communicative husband.
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I wrote the first draft of the New People quickly but it had been percolating a lot longer. It's a hard question to answer because I'd been working on another novel for years and when I gave up on that, this one came very easily. But I think the work had been going on a lot longer than the actual writing.
There have been only two taboos in the world: sex and death. It is very strange why sex and death have been the two taboos not to be talked about, to be avoided. They are deeply connected. Sex represents life because all life arises out of sex, and death represents the end. And both have been taboo - don't talk about sex and don't talk about death.
I’d been listening to men talk since I arrived in New York City. That’s what men like to do. Talk. Profess like experts. When one finally came along who didn’t say much, I listened.
For many years I had been deeply identified with thinking and the painful, heavy emotions that had accumulated inside. My thought activity was mostly negative, and my sense of identity was also mostly negative, although I tried hard to prove to myself and to the world that I was good enough by working very hard academically. But even after I had achieved academic success, I was happy for two weeks or three and then the depression and anxiety came back.
My husband and I had recently been in a car accident, and I came out of that experience with more clarity about my career and the energy to continue to pursue it hard, no matter what the challenges.
I've been writing since I was six. It is a compulsion, so I can't really say where the desire came from; I've always had it. My breakthrough with the first book came through persistence, because a lot of publishers turned it down!
No one ever came to grief-except honorable grief-through riding horses. No hour of life is lost that is spent in the saddle. Young men have often been ruined through owning horses, or through backing horses, but never through riding them; unless of course they break their necks, which, taken at a gallop, is a very good death to die.
I came in on this movie after there had been a director and I came in after Tom Courtenay had talked to Ron Harwood about making a movie. So, you know Tom and Albert Finney had been friends since the beginning of their career as they became stars around the same time - Tom always reminds me that Albert was first with Saturday Night and Sunday Morning and then Tom with The Long Distance Runner.
Many immigrants do not talk about what they endured back home. They were fleeing that world, and when they left they didn't want to talk about it because there had been pain and heartbreak under the caste system of the South. They didn't want to burden their children with what they had endured.
I had been acting since I was seven years old, but I had a combination of things happen at about the same time. 'Austin Powers' came out on DVD, I got a series regular gig on 'Buffy' and 'Can't Hardly Wait' came out.
Women have always been the world's burden bearers. Ever since history began the great burden of the world's faith, its belief in immortality has been carried in the arms of its women.
This world crisis came about without women having anything to do with it. If the women of the world had not been excluded from world affairs, things today might have been different.
The gas man came one day, and he said, 'What does your husband do?' so I told him, and he said, 'What's the use of that?' He had a point, but on the other hand, I firmly believed in Stephen and his brilliance. I encouraged him to popularise his science just because the gas man had been so insulting.
I love my Fender Rhodes. It's been a part of my family since that keyboard came out, and I've had it reworked so that it's in the best condition it's actually ever been in. That is my baby.
My mother was murdered by my step-father, my brother's father, who was also named Joel, twenty-five years ago. Whatever sadness or burden I've been living with since then, my brother's also been living with, but he's lived with the added burden of having the exact same name as our mother's murderer.
So when it came to role models, I looked at presidents' wives. Of course, you're talking about a farm girl who stood in the fields, dreaming, years ago, wishing she was that kind of person. But if I had been that kind of person, do you think I could sing with the emotions I do? You sing with those emotions because you've had pain in your heart.
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