A Quote by Marcus Garvey

Negro producers, Negro distributors, Negro consumers! The world of Negroes can be self contained. We desire earnestly to deal with the rest of the world, but if the rest of the world desire not, we seek not
I maintain that I have been a Negro three times--a Negro baby, a Negro girl and a Negro woman. Still, if you have received no clear cut impression of what the Negro in America is like, then you are in the same place with me. There is no The Negro here. Our lives are so diversified, internal attitudes so varied, appearances and capabilities so different, that there is no possible classification so catholic that it will cover us all, except My people! My people!
We should emphasize not Negro History, but the Negro in history. What we need is not a history of selected races or nations, but the history of the world, void of national bias, race, hate, and religious prejudice. There should be no indulgence in undue eulogy of the Negro. The case of the Negro is well taken care of when it is shown how he has far influenced the development of civilization.
I refer to a negro politician as a negro who is selected by Negroes and who is backed by Negroes.
Carmen Jones was the first all-Negro film that became a great box-office success. It established the fact that pictures with Negro artists, pictures dealing with the folklore of Negro life, were commercially feasible. This was a sign of growth that had occurred in the United States and throughout the world.
Negro writers, just by being black, have been on the blacklist all our lives. Do you know that there are libraries in our country that will not stock a book by a Negro writer, not even as a gift? There are towns where Negro newspapers and magazines cannot be sold except surreptitiously. There are American magazines that have never published anything by Negroes. There are film studios that have never hired a Negro writer. Censorship for us begins at the color line.
[Educated blacks] Society refuses to consider them genuine Negroes. The Negro is a savage, whereas the student is civilized. "You're us," and if anyone thinks you are a Negro he is mistaken, because you merely look like one.
This is the mountain standing in the way of any true Negro art in America - this urge within the race toward whiteness, the desire to pour racial individuality into the mold of American standardization, and to be as little Negro and as much American as possible.
Jazz, to me, is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul - the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile.
I'm inclined to believe that most Negro leaders, professional Negroes are professional Negroes. Being a Negro is their professional, and being a profe - a leader is their profession. And usually they say exactly what the white man wants - wants to hear them say.
So the Negro race has continued, and today is the day of the Negro as far as the world is concerned. They have influenced the generations of time; they have mixed their blood with many peoples, until there are many peoples not able to hold the priesthood.
The Negro does not want love. He wants justice . . . I believe it would be better for the Negro's soul to be seared with hate than dwarfed by self-abasement.
I am not prejudiced against the Negro. When I was governor, I did more to help the Negroes in our State than any previous Governor, and I think you can find Negro leaders in the State who will attest to this fact
I am not prejudiced against the Negro. When I was governor, I did more to help the Negroes in our State than any previous Governor, and I think you can find Negro leaders in the State who will attest to this fact.
The intelligence and ability of a colored person are in pretty direct proportion to the amount of white blood he has, and … most of the positions of leadership, influence, and prominence in the Negro race are held not by real Negroes but by Mulattoes, many of whom have very little Negro blood.
Alpha Phi Alpha, the oldest of Negro Fraternities, with all of its members presumably far above the average American and having a good practical understanding of the salient factors involved in the Negro's problem, and which a membership upwards of eight thousand men, should be able to take into their hands the leadership in the Negro's struggle for status.
For the Afro-American in the 1920's being a 'New Negro' was being 'Modern'. And being an 'New Negro' meant, largely, not being an 'Old Negro', disassociating oneself from the symbols and legacy of slavery - being urbane, assertive militant.
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