A Quote by Marcus Vitruvius Pollio

In fact, all kinds of men, and not merely architects, can recognize a good piece of work. — © Marcus Vitruvius Pollio
In fact, all kinds of men, and not merely architects, can recognize a good piece of work.
A good compromise, a good piece of legislation, is like a good sentence; or a good piece of music. Everybody can recognize it. They say, 'Huh. It works. It makes sense.'
There are two kinds of writers. There are architects and gardeners. The architects do blueprints before they drive the first nail. The gardeners just dig a hole and plant the seed and see what comes up.
So it sort of dawned on me that you have to build into your work the fact that it's going to be shown in different kinds of places and different kinds of light. And the fact that the surroundings and where you're going to be shown is always changing, so that should really not affect the meaning of the work. It should be part of what the work is about.
The evil that machinery is doing is not merely in the consequence of its work but in the fact that it makes men themselves machines also.
Some architects think of clients only as sources of work and income but most good architecture is in fact the result of successful design collaboration between a talented architect and an enlightened, motivated client.
Architects design buildings; that's what we do, so we have to go with the flow; and, even though I'm still an old Leftie, global capitalism does have its good side. It's broken down barriers - the Berlin Wall, the Soviet Union - it's raised a lot of people up economically, and for architects, it has meant that we can work around the world.
The fact that I'm a woman is as important to my work as a poet as the fact that Ahmad Sh?mlu was a man was important to his work as a poet. Basically, gender shouldn't be viewed as an advantage in art. If a poem or a piece of writing is good, what difference does it make whether it's by a woman or a man? And, if it's bad, why should its writer's gender make it good?
If architects weren't arrogant, they wouldn't be architects. I don't know a modest good architect.
There is an effective strategy open to architects. Whereas doctors deal with the interior organisms of man, architects deal with the exterior organisms of man. Architects might join with one another to carry on their work in laboratories as do doctors in anticipatory medicine.
Architects, painters, and sculptors must recognize anew and learn to grasp the composite character of a building both as an entity and in its separate parts. Only then will their work be imbued with the architectonic spirit . . .
Many architects say that they will never do a bridge. But I think they will discover that just as Fallingwater is a piece of art, so Golden Gate is a piece of art of the 20th century.
When a writer's whole being is poured into a piece of work, there is never enough. The feeling of finally getting to the end of a piece of work, of making it as good as you can at that moment, is more of a relief than anything else, and then you wait for reviews.
I'll probably stick to comedy for the time being. I mean, a great piece of work is a great piece of work, and I'm up for good work anytime. But I do love comedy!
Men have two basic needs. Neither of them, no matter what they say, is sex. They need love and they need work. And work takes priority over love. If a woman could know only one fact about men and work, it should be that work is the most seductive mistress most men ever have.
In fact, merely writing the facts on a piece of paper and stating our problem clearly goes a long way toward helping us to reach a sensible decision.
But without a need, even the finest piece of beef is merely a piece of dead bull is it not?
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