A Quote by Marian McPartland
Nowadays it seems to me nobody takes trouble about anything, especially writing songs.
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I'm writing all the time. And as the songs begin to coalesce, I'm not doing anything else but writing. I wish I were one of those people who wrote songs quickly. But I'm not. So it takes me a great deal of time to find out what the song is.
I remember writing 'All I Want Is You' and hoping it would get me out of trouble. I haven't stopped writing songs or getting into trouble since.
My best songs were written very quickly. Just about as much time as it takes to write it down is about as long as it takes to write it...In writing songs I've learned as much from Cezanne as I have from Woody Guthrie...It's not me, it's the songs. I'm just the postman, I deliver the songs...I consider myself a poet first and a musician second. I live like a poet and I'll die like a poet.
There's one good thing about getting in trouble: It seems like you do it in steps. It seems like you don't just end up in trouble but that you kind of ease yourself into it. It also seems like the worse the trouble is that you get into, the more steps it takes to get there. Sort of like you're getting a bunch of little warnings on the way; sort of like if you really wanted to you could turn around.
My feeling is that, and I've been writing about my family over the years, although it might make them feel uncomfortable, people generally like to be written about. If I've written a song about the family, they enjoy being mentioned in the songs. Nobody's confronted me and said 'don't write any songs about me.
What a Wonderful World' is a love song to nobody and everybody. I'm thinking about songs like that in my writing with 'Take Me to the Alley.'
Nobody's going to write a book about me, because nobody's going to find anything worth writing a book about.
8th grade I started writing my own songs. They weren't good songs or anything, but it was always the song writing aspect of things that was important to me, I always just wanted to create a song it seemed like.
When I first started writing these kind of songs that would eventually become Decemberists songs, I was writing them because I knew that nobody was listening at the time and that it wouldn't hurt to challenge myself and get weirder and see if I could alienate more people
And the thing about me is, I have a lot of mellow songs, because they're the easiest for me to write. I wanted to try to make some more upbeat songs, so, I ended up gravitating toward writing songs with friends, which was a great learning process, and also we came up with great songs. Those are the songs that came out the most naturally.
I started being me about the songs, not writing objectively, but subjectively. I think it was Dylan who helped me realize that - not by any discussion or anything, but by hearing his work.
That's the problem with folks nowadays. Nobody takes responsibility for their actions. Make a mistake and you pay for it. That's life.
I started writing rather late in the game. I was fascinated about the story about how Bob Dylan, for 'Nashville Skyline,' wrote between takes. So I'd try to sing new songs off the top of my head. I had rather less than spectacular success on that. But a lot of my songs were done that way.
I'm more of a songwriter. I love writing songs. I love writing my songs. It's always been writing for me, and it makes it different when you're writing for yourself.
Everyone complains about the weather, but nobody ever seems to do anything about it.
It is a dangerous time to be a black woman in America. It’s a time when we are not safe in the streets or at home or at school or at work and nobody seems to be able to do anything about it. Nobody. Not us. Not our mommas. Not the police. Not the people we elected to look out for our interests. Nobody. We’re just out here. (p.53)
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