A Quote by Marianne Faithfull

I've made a contribution to my time and my generation through being myself, not through what I shared with the Rolling Stones. It's very bad for me and very dangerous to see myself as someone who had an influence on this song or that song. It immediately puts me in the position where my worth is dependent on how much of my soul I shared with Mick Jagger, and it's just not valid. You can use the gossip you've heard. You're not getting it from me.
Growing up, as much as country was a big influence in my life, the Rolling Stones and the Beatles and Led Zeppelin were such a close second. My first concert ever was the Rolling Stones in Denver. I snuck a camera backstage and filmed Mick Jagger during sound-check.
The song that I will sing is an old song, so old that none knows who made it. It has been handed down through generations and was taught to me when I was but a little lad. It is now my own song. It belongs to me. This is a holy song (medicine-song), and great is its power. The song tells how, as I sing, I go through the air to a holy place where Yusun (The Supreme Being) will give me power to do wonderful things. I am surrounded by little clouds, and as I go through the air I change, becoming spirit only.
But the humans weren't what made my steps falter as I walked through grass that had turned bright green with summer's touch. It was Dimitri. Always Dimitri. Dimitri, the man I loved. Dimitri, the Strigoi I wanted to save. Dimitri, the monster I'd most likely have to kill. The love we'd shared always burned within me, no matter how often I told myself to move on, no matter how much the world did think I'd move on. He was always with me, always on my mind, always making me question myself.
Mick Jagger has been an idol of mine since I was 10 years old. Through his music, he has taught me so much about rock n' roll, but also about the blues and about the experience of live music, going to several Rolling Stones shows, growing up.
Every day somebody comes up to me and says, 'That song really helped me through a difficult time,' or 'That's me and my wife's song' or 'This song means something to me because of... ' It's humbling to hear that. You're something special in someone's life, even if it is for three minutes.
Music is shared. It's a shared feeling; that's what music is all about. When you listen to a song with someone else, it becomes more than just a song. It defines relationships.
G-Dragonhe is very romantic. I’m his roommate so I see everything. He’s seriously romantic. If he dates someone he makes a song for them. One time he asked me how the song was. And I said oh my god if this was released in Korea there’d be a huge deal and it would make so much money. But… since it’s for the woman he loves it’s only for her and gives up that money/fame from that song.
I always thought my days spent in darkness [as a child she had cataracts and was unable to see for nearly four years] gave me a very special sensitivity. Much later, when I really wanted to hear, really 'see' a song, I'd close my eyes, and when I wanted to bring it out of the very depths of myself, out of my guts, out of my belly, when the song had to come from far away, I'd close my eyes.
I have learned so much from God that I can no longer call myself a Christian, a Hindu, a Muslim, a Buddhist, a Jew. The Truth has shared so much of Itself with me that I can no longer call myself a man, a woman, an angel, or even a pure Soul. Love has befriended me so completely it has turned to ash and freed me of every concept and image my mind has ever known.
I think a very clear cut example of - dare I say - plagiarism is the Sam Smith-Tom Petty situation, where you have a song that is flagrantly... it is the hook from one song being used for another song. To me, that was a very obvious example of plagiarism. If somebody had done that to me, I would probably take a similar course of action.
When you're making music, it's meant to be shared with people. Sometimes, even if I'm writing a song, someone else brings a vibe. There's something different about it. If someone can play a better bassline than me, I'll let them do it. I'm just here to fit in and see where it goes.
I've wanted to be Mick Jagger since I was 18. One of the things I love about music is that you don't have to be dependent on other people like you are in the film business. I hate being dependent on anyone. With my music, I can do whatever I want. I also think it's made me more relaxed as an actress.
I keep a lot of my problems bottled up inside me. That's why it's good, it's bad because I go through it, but it's really, what the fu*k I'm going through. That's why I ain't able to cry, I could try to make myself cry and it won't happen. But at the same time somebody could hear my song and they gonna cry for me.
I was once sitting on a tube, and someone was playing my song so loudly through their ear phones next to me. I just stayed silent and chuckled to myself.
I decided to go to the night, myself, and started to go out to the fields, where I would encounter things that I cannot see very well, that I cannot detect very well, and to put myself in a position where I'm going to be suspected as a being entering a territory of other beings, and I'm also going to suspect them. I have to be very alert, and they are going to be very alert - this kind of position I felt was very much what is going on in the world for me.
For the first records I really never thought about anything other than the song itself. I thought that this was what the job of a songwriter was. I was really approaching music from a very different standpoint. To me when I was younger the song was just the melody. I think as I've gotten older and have been recording myself I've become aware of just how many layers can exist within a song besides just the main vocal.
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