A Quote by Marie Calloway

I admire Joyce Maynard a lot, specifically her memoir "At Home in the World." Her writing is beautiful and fascinating and seemed to give me validation to the idea that I could write validly in earnest about my life with (my) very feminine point of view, and also that I could unapologetically explore the bad traits of my character (which I find to be more interesting to explore than the good traits), as well as explore other concepts that interest me like private vs public personas, age gap relationships, etc.
I wanted to explore cancer not just biologically, but metaphorically. The idea that tuberculosis in the 19th century possessed the same kind of frightening and decaying quality was very interesting to me, and it seemed that one could explore the idea that every age defined its own illness.
One of my main wishes in wanting to write about my mother was to explore the impact of her death on my life, explore our relationship, think about the different versions of myself that I was with and without her. I also had the really strong wish to bring her to life for my children, who were born after she was gone.
I think movies say a lot [about real life], even more than theater. It says a lot about the invisible, that movies are so fascinating. The camera lens is like a microscope that goes beyond the surface. It's like you're exploring a secret, so you explore the director's secret, you explore the actor's secret, and therefore you explore the universe's secrets.
So I wanted to explore all points of view of that, not just the girl's but his point of view as well. Only by directing it could I explore all the points of view.
Oh diary, I love her, I love her, I love her so much. Jordana is the most amazing person I have ever met. I could eat her. I could drink her blood. She's the only person I would allow to be shrunk to microscopic size and explore me in a tiny submersible machine. She is wonderful and beautiful and sensitive and funny and sexy. She's too good for me, she's too good for anyone! All I could do was let her know. I said: "I love you more than words. And I am a big fan of words.
We're living history all the time, in the papers, in the news, you think about stuff and it goes into your brain and you think about it and it comes out somehow. You have an idea; you've heard a phrase, or you're angry, or something disturbs you, or something seems paradoxical to you, you explore that idea, much like a writer would explore maybe an idea through metaphor. Maybe artists use their vehicle to explore ideas, so I think the things that interest me are the kind of idea of continuous change and how nothing stays the same and it's always disintegrating into something more.
When you read a fantasy novel part of the fun is getting to explore a new world. Everyone knows that. But I believe the same is true about characters. You can explore interesting people in the same way that you explore a town or a culture.
The dramas for me allow me to explore more behavioral, deeper psychological things. But the comedies obviously allow me to explore the idea of really working off other people. I'm having more fun doing that.
I guess that my opinion of writing about real people is informed by defenses of Joyce Maynard's memoir, that the experiences were a part of my life as well, and that I have the right to write about my life.
Relationships with parents, grandparents, friends, and siblings were important to me when I was young and have remained so throughout my life. Our relationships with other people both shape and reflect who we are. These relationships are infinitely fascinating to explore!
The real power of this book comes from its documentation from major sources. In fact, you will quickly discover that most of my documents about Jewish Supremacism are from Jewish sources. They argue more convincingly for my point of view than anything I could write. I encourage you to go to the sources that I quote and check them out for yourself. In this book I take you along with me on a fascinating journey of discovery in a forbidden subject. I urge you to courageously keep an open mind while you explore the topics ahead, for that is the only way any of us can find the truth.
Milton, when he went blind, declared that he could now begin the real work of his life. Similarly, with the merciless passage of time reducing my phisical strengh, I find myself less able to explore the outer world, but better prepared to explore the inner.
I've never conceptualized much of what I write about. Maybe, once I'm onto something, I'll conceptualize a finished record. I want the songs to tie together and make sense together. I'm not like, "Oh, I want to explore this idea." That's just not how the creative process works for me. It's more like something strikes me, or finds me, and then I wrestle with it after that. I don't sit back in my armchair, like, "What kind of philosophy can I explore today?"
More than any other personality trait, my mother seemed to be ruled by anger and sadness. She seemed to hate being a mother. Watching her unhappiness as I grew up made me conclude that the answer was to try and be as unemotional as I could, which many therapists have taught me is a bad idea. It also made me want to avoid marriage and having children.
It has always seemed strange to me... the things we admire in men, kindness and generosity, openness, honesty, understanding and feeling, are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest, are the traits of success. And while men admire the quality of the first they love the produce of the second.
Sri Lanka is a part of my background: it's not where I live, but it's what I want to explore. And I find it works very well to explore through fiction.
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