A Quote by Marilynne Robinson
Characters more or less present themselves to me. I don't know their origins. I think if I did, if I seemed to myself to fabricate them, I could not induce suspension of disbelief in myself in the way writing fiction requires.
Quote Topics
Quote Author
Related Quotes
When they're watching musicals, I've heard people say, 'That's not realistic! Why would they just start singing?' But, I think they can believe it if they try! I mean, science fiction requires a suspension of disbelief, but people allow themselves to sit back and enjoy it anyway.
I'm not a moron, but science fiction to me requires a suspension of disbelief and honest curiosity or fascination in that kind of bullshit. I've just never been able to make that jump, really. I like things to be more organic.
I didn't start writing so that I could more deeply know myself. I was bored of myself, my life, my childhood, my hometown. I started writing as a way to know others, to get away from myself.
A big way that I express myself is through what I wear and how I present myself. I think that's an important part of the characters that I play.
But it's hard for me to pinpoint where all my characters and dialogue come from - imagination or real life. My memoir, of course, was all about my past, and many of the short stories cleave very closely to my life, but the more stories I wrote in the collection, the more that seemed to be invented, but who knows... I think I'm writing about a young woman with acne who shoplifts, but I'm really writing about myself.
It is now life and not art that requires the willing suspension of disbelief.
I think I view myself primarily as a fiction writer. Poetry is more of a "hobby," a time of rest from the hard work of writing fiction.
It had also been my belief since I started writing fiction that science fiction is never really about the future. When science fiction is old, you can only read it as being pretty much about the moment in which it was written. But it seemed to me that the toolkit that science fiction had given me when I started working had become the toolkit of a kind of literary naturalism that could be applied to an inherently incredible present.
So when it comes to being a role model to women, I think it's because of the way that I feel about myself, and the way that I treat myself. I am a woman, I treat myself with respect and I love myself, and I think that if I'm holding myself to a certain esteem and keeping it real with myself, then that's going to translate to people like me.
I could, of course, have done no more if no less than affiliated myself in one way or another with a particular church, could have simply read books about Christianity, talked to Christian people, set out to discover something about what a Christian life is supposed to involve and then tried as best I could to live one. But, on the one hand, that didn't seem enough to me, and on the other, it seemed to much.
I am writing for myself and strangers. This is the only way that I can do it. Everybody is a real one to me, everybody is like some one else too to me. No one of them that I know can want
to know it and so I write for myself and strangers.
Eventually, I sickened of people, myself included, who didn't think enough of themselves to make something of themselves- people who did only what they had to and never what they could have done. I learned from them the infected loneliness that comes at the end of every misspent day. I knew I could do better.
With writing fiction, I'm either not courageous enough or just not suited for telling truths in a more conventional way. As an actor, I inhabit those characters as I'm writing them.
If you're writing fiction, you're dealing with characters who, themselves, will have heartfelt sentiments but who, themselves, live in this culture right now and thus face all the impediments to sort of dealing with those parts of their lives that, you know, that we did. So it would be not only silly but unrealistic to have a character saying that kind of stuff.
I've quit writing screenplay [adaptations]. It's too much work. I don't look at writing a novel as work, because I only have to please myself. I have a good time sitting here by myself, thinking up situations and characters, getting them to talk - it's so satisfying. But screenwriting's different. You might think you're writing for yourself, but there are too many other people to please.
I haven't written a word of fiction since 2009. I have no desire to write fiction. I did what I did and it's done. There's more to life than writing and publishing fiction. There is another way entirely, amazed as I am to discover it at this late date.
Related Authors
Charles Bukowski Quotes
American
Novelist
Charles Dickens Quotes
English
Novelist
Chuck Palahniuk Quotes
American
Novelist
Ernest Hemingway Quotes
American
Novelist
George Eliot Quotes
British
Novelist
George Orwell Quotes
British
Novelist
George R. R. Martin Quotes
American
Novelist
Jane Austen Quotes
British
Novelist
Johann Wolfgang von Goethe Quotes
German
Novelist
Margaret Atwood Quotes
Canadian
Novelist
Nicholas Sparks Quotes
American
Novelist
Paulo Coelho Quotes
Brazilian
Novelist
Sarah Dessen Quotes
American
Novelist
Stephenie Meyer Quotes
American
Novelist
Veronica Roth Quotes
American
Novelist
Victor Hugo Quotes
French
Novelist