A Quote by Marina Warner

Scheherazade, of course, was always in the back of my mind, because she's also a storyteller identified as female who tells a lot of anti-female stories. There's a parade in The Arabian Nights of sorceresses, adulteresses, ghouls, sirens, harridans.
I look at American Christianity and I'm almost in despair. I don't want to be identified with it. The Christian vote in America is an anti-abortion, anti-homosexual vote. I consider that to be anti-female and anti-gay, and I don't want to be identified with a God who is anti-anything.
In my own writing, I avoid 'female' and try to say 'woman' because I feel that the word 'female' has connotations of not just biology but also non-human mammals. The idea of 'female' to me is more appropriate for a female animal.
I'd like to see more female heads of studios because what's also being crucially lost is the female perspective: 50% of the population are not having their stories told.
There's a whole slew of wonderful speculation of flying in a fanciful way. Gulliver is one of the central examples; Swift has the hum of Arabian Nights in his ear with Gulliver's Travels. The difference is in scale - Gulliver as a kind of Sinbad kind of figure, the way he is picked up and carried. Just to finish up with Scheherazade, I do think that The Arabian Nights could be considered as a great book on women's position in the world.
I've always had this female-empowerment thing in the back of my mind - because I wanted my mother to be stronger, and she couldn't be.
What I really would like to see is more female stories out there. Particularly older female stories, because women are predominantly ticket-buyers.
The new female is competent in all that she chooses. She chooses whatever her heart tells her. She can create a business, lead a country, drive a truck, hammer nails, deliver mail, or raise a family. She is at home in every social and physical environment. She can be a housewife, if she chooses. She can be anything else, too. She is intuitive and heart centered. She is all that a female has been, and more.
I've always had this female-empowerment thing in the back of my mind - because I wanted my mother to be stronger, and she couldn't be. I thought, 'If I'm successful, I can change her life.'
I'm always drawn to female stories with female protagonists, and I particularly yearn for more older actresses to take centre stage in 2018.
They're always such alive females. And also, all those love stories - no man in Austen has ever fallen in love with a female heroine because she's pretty or beautiful or has long, blonde hair. They fall in love with them because of who they are, because of their vibrancy and their intelligence and if only we were teaching that a bit more in schools.
I would like to see more female stories out there, particularly older female stories.
Once a female, always a female. Nature is not always infallible but she always abides by her mistakes.
It's every woman's tragedy, that, after a certain age, she looks like a female impersonator. Mind you, we've known some lovely female impersonators, in our time.
I think that any female who gets asked if she's a feminist... it's silly... it's so interesting when people ask females if they're a feminist. Of course every female wants to be equal!
I never wanted to model myself on a female singer, which tells you a lot about my character. I didn't have a female role model. There just wasn't anybody around. I played with the boys and beat them at their own game.
A lot of times, films tell stories about the time we live in. So when making history, it´s just as important to give the female perspective as well as the male. We need female voices. Take a risk. Be personal.
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