A Quote by Marion Cotillard
I've always known actors because my parents are actors on stage and so I lived in a very creative environment when I was a kid. All my life.
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My family are very supportive and always have been. They weren't the kind of parents that pushed me into it. I know a lot of parents of kid actors I've worked with have pressured them into acting, but my parents are different. I'm really lucky to have them because they let me make my own decisions.
There are so many stage actors on TV but you wouldn't know they were stage actors. And film and TV actors are going to the stage as well, so the crossover is great now.
I love actors, both my parents were actors, and the work with actors is the most enjoyable part of making a film. It's important that they feel protected and are confident they won't be betrayed. When you create that atmosphere of trust, it's in the bag - the actors will do everything to satisfy you.
People are very uncomfortable when you call actors artists because there are a lot of actors out there that aren't artists - there are a lot of actors that are hired for very specific reasons that are shallow and have to do with sexual currency and what the industry thinks sells. Real actors are artists, they're expressionists.
My parents knew a wider range of people than most, and so we had actors, journalists, politicians, planters, sportsmen and women and business folk all coming in and out of the places we lived in. Although my parents were not wealthy, they lived a legendary and amazingly cosmopolitan life.
I loved doing casting because I love actors, and I am very conscious of what actors do. But I always wanted to be a producer.
I make my life with New York stage actors, and I love them. They're the best actors on planet earth.
I like working with kid actors because they surprise you constantly. I mean, all actors do - but kids particularly.
I think casting is really important. Finding the right sensibility for the right part is an art in itself. If you're off there, you make it harder on yourself as a director. And it's fun to work that out with the actors. I don't think there's any magic to directing actors. It's very instinctual. Working with actors is really one of my favorite creative moments of the whole process, and the most fun, because it's collaborative. I spend a lot of time rehearsing. I'm very rehearsal-oriented, probably because I have some background in theater. I like knowing what will work beforehand.
It's kind of a crazy thing with kid actors because a lot of them get hired without people really knowing if they're good or not. They get hired for the way they look at a really young age. You also have your fingers crossed around kid actors... because the lessons they learn on set aren't always the best. You can really get whatever you want.
Even in the early '90s, I was already starting to mix professional actors with non-actors. I always enjoyed working with non-professionals, because their performances are very natural and unaffected.
When I shoot, I try to feel the body and the face and the weight of the actor, because the character until that moment is only in the pages of the script. And very often, I pull from the life of my actors. I'm always curious about what these characters and these actors are hiding about their lives.
I've always liked American actors particularly. Because that was my first impression. I was very enamoured of America when I was a kid because we were surrounded by American soldiers during the war, the accent was very strange to me, it was very exotic and very captivating.
I know a lot of parents of kid actors I've worked with have pressured them into acting, but my parents are different. I'm really lucky to have them because they let me make my own decisions.
My parents always instilled in me this feeling of wanting to be a normal person. I never moved out to L.A. as a kid and got into that scene and that whole thing that happens to kid actors that's the reason they go off the deep end.
I hear about actors being exterior actors and actors being instinctual actors and I always think it's crap. Anybody who knows anything about it knows that good actors do both - they do inside-outward and they do outside-inward. You can't not do both.
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