A Quote by Marion Dane Bauer

It is curious how believable I can be when I criticize myself, how unconvincing when I give myself praise. — © Marion Dane Bauer
It is curious how believable I can be when I criticize myself, how unconvincing when I give myself praise.
I give myself homework when I have an audition. I give myself goals, and that's how I check how I'm doing. It can be something simple like 'listen,' or 'find your feet.' And then afterward it's an assessment, so in a way it's not about booking the job or not. It's about what I learned as an actor about that character.
I always wrote about myself in the third person. I knew how to promote myself so it sounded intelligent. I know how to package myself.
I like acting for myself as a director. I act and I know that I'll have a chance to have some say in what gets used and that I'll be able to give myself enough takes and be on the same page as myself about how the scene should play.
I'm my own toughest opponent. So I talk to myself. I curse at myself. I pump myself up. Whatever it takes to do. I don't really give a damn how it looks really because when I'm in the moment I need to be me.
I don't know how to play myself. I'm not interested enough in myself. That's just not how I was educated. That's not how I learned to become an actor. Acting is creating a character.
Ever since I was young I understood the whole meaning of life isn't how much money you accumulate, how much fame you experience, it's how many lives you touch, how many faces you bring smiles to. I see myself back in Hawaii doing something in the community to improve the lives of young children. Everything I've done is to prepare myself to give back.
For me, it's always this constant battle and search when I'm out on stage as to where and when do I really open myself up to the people that are there. How do I let myself feel present in the space, and how do I allow myself to get into the music and interact with the band members.
In a sense I am able to interrogate myself, address myself from that slight distance and enter a kind of dialogical relationship with myself. Because I'm saying, "Look, these are things that have happened to me, but how odd they are or how ordinary they are [is up to the reader to decide]."
Many people know how to criticize, but few know how to praise.
As soon as I observed myself from outside myself, I recognized and understood that I had a long-standing habit of keeping an eye on myself. That's how I managed to pull myself together, over the years, checking myself from the outside.
How much of my true self I camouflage and choke in order to commend myself to him, denying the fullness of me. How often have I paraded sweetness and interest when I felt otherwise; pretended to take careful leave of him on many an occasion when I would rather have walked right out. How I've toned myself down, diluted myself to maintain his approval.
As I walk'd by myself, I talk'd to myself, And myself replied to me; And the questions myself then put to myself, With their answers I give to thee.
Playing Unique hasn’t changed how I feel about myself, but it has changed how I hold myself. Unique is so confident that I found myself [saying], ‘You need to be the role model that your character intends you to be.’
I give so much of myself on Sunday. I drain all the life out of myself out there. I get paid to play, to win, to give the city pride, so maybe everybody can forget for a little while how hard life is.
As long as I continue to take myself seriously, how can I consider myself a saint? How can I consider myself a contemplative? For the self I bother about does not really exist, never will, never did except in my own imagination.
You know what I hate about people who criticize you? They - they criticize what you say but they never give you credit for how loud you say it.
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