A Quote by Marisha Pessl

To be next to her was to have everything. — © Marisha Pessl
To be next to her was to have everything.

Quote Topics

I think that everything you do, everything that you start and everything that you end, it does that for a reason, and it's to move forward on to the next thing or the next road or the next path or whatever.
The best part was now. That was what she would take with her from her journeys through the ages: He was worth everything to her and she was worth everything to him. The only way to experience that deep level of their love was to enter each new moment together, as if time were made of clouds. And if it came down to it these next nine days, Luce knew that she and Daniel would risk everything for their love.
She really started to cry, and the next thing I knew, I was kissing her all over - anywhere - her eyes, her nose, her forehead, her eyebrows, and all, her ears - her whole face except her mouth and all.
It's a strange feeling, being so utterly surrounded by her. Her life scent is on everything. She's on me and under me and next to me. It's as if the entire room is made out of her.
Everything is a grace, everything is the direct effect of our Father's love - difficulties, contradictions, humiliations, all the soul's miseries, her burdens, her needs - everything, because through them, she learns humility, realizes her weakness. Everything is a grace because everything is God's gift. Whatever be the character of life or its unexpected events - to the heart that loves, all is well.
She needs someone who will be everything for her: her friend, her boyfriend, her confidant, her lover and sometimes even her enemy.
I'm attracted to artists like Frida Kahlo, because her work was her life, her questions, her outrage, her suffering, her pain. Everything is in her work.
Talk about a woman of a certain age - Pearl Buck was a great prototype of continuing to work. She was in the hospital dying of cancer, and in the next room was her secretary, typing out her next book.
I watch her as she leaves. Everything about her is fluid as a river. Her messy hair, her xylophone voice, the strokes of her paintbrush. Even her camouflage army jacket hangs loose, flowing like ribbons.
Diana Ross is a big inspiration to all of us. We all grew up watching everything about her - her mike placement, her grace, her style and her class.
Little Lotte thought of everything and nothing. Her hair was as golden as the sun's rays, and her soul as clear and blue as her eyes. She wheedled her mother, was kind to her doll, took great care of her frock and her red shoes and her fiddle, but loved most of all, when she went to sleep, to hear the Angel of Music.
I knew her hair and her coloring and her shapes would be different next time, but the way she wore her body would keep on.
DMX - everything this brother spits is hot. Everything. This is the heat right here. When I stand next to MCs, this is who I wanna stand next to.
We have a couple of rules in our relationship. The first rule is that I make her feel like she's getting everything. The second rule is that I actually do let her have her way in everything. And, so far, it's working.
[On her mother:] My relationship with her is close, painful, and skaky, and I always have to keep searching for a sign of love. Everything I do, I do to please her, to make her smile, to ward off her fury. This work is extremely exhausting.
'Saw VI' has a really interesting theme about the ripple effect. Everything you do affects the guy next to you, which affects the guy next to him, which affects her over here. And you might think that what you're doing is not that significant, but just the way you respond to other people makes the world the way it is.
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