I wanted to be a New York City cop before I became an actor.
I have to say, opening up in New York taught me a lot about that level of attention to detail. London's a tough market, Paris is a tough market, but New York, well, that's extraordinary.
I read a lot of those Single Girl in New York books, like "Fear of Flying," where you could sort of put yourself, through transference, into the Jewish Girl in New York situation.
Once I became a cop and it's like when I got back into drumming; if I focus on something I become that, so I became a cop.
There are a couple of specific things about the show [Into the Badlands]. We didn't want to do a contemporary show, which is always "Chinese cop comes to New York, teams up with racist cop, together they fight crime..."
Long time ago, I was going to be a New York cop, then got involved with this girl who was into acting, then got bit by the acting bug myself.
I know an actor who would play one type of part but could never get cast as tough. Once he got cast as tough, as a cop, he only got offered cop roles. It's a funny business in that regard. It's all about perception.
My dad was a New York City cop. His father was a New York City fireman. And my mother's dad was a city taxi driver.
One of my first observations about New York that I was so fascinated with was that you'd be at a stoplight and you're with everybody; there's a homeless dude and some weird celebrity and a cop and someone who looks exactly like you. You're on foot and everyone is at street level and eye-to-eye. I think that's what's special about New York, because there's no hierarchy, there's no discrimination.
I'm a New York girl. I come out of New York theater.
I felt very patriotic playing a New York City cop.
When you travel around the country, you see what a tough town New York is: rude, competitive, a town where good, logical ideas are ignored in favor of unworkable ones. And yet, all these other towns are so dead and boring compared to New York.
I'm from New York and I love New York and I'm always repping New York, but what I represent is something deeper than just being a New York rapper.
I went to New York out of college, and in my day, we were told that was the way you became a good actor. You don't go to Hollywood, you go straight to New York and work in the theater. So that's what most of the people I knew did.
I never wanted to or expected to make a film outside of New York. New York became very, very expensive. The same $18 million spent in Barcelona or Rome goes much further there.
If you want to be a cop, it's not for everybody, no question about it, but there's no place like New York City.