A Quote by Marisol Nichols

When I first moved from Chicago to L.A., I starred in the 'Vacation' movies as Audrey Griswald, and that was like the starring role in a Warner Brothers movie. I thought everything was made, and then six months later, I'm back auditioning.
For my very first movie, 'Roger and Me,' I made it as part of my deal with Warner Brothers that the four people that were evicted in that film, that Warner Brothers would house - would pay their mortgage or their rent for the next two years to give them a chance to get on their feet.
I moved to L.A. when I was 17 and started making movies six months later.
I like doing films and I wish that I could do more but I still have to audition. I don't get offered starring roles in movies even though I've written and starred in a movie.
I love pre-code movies. Some of my favorites are movies with Warren William and there is an MGM film called "Skyscraper Souls" which is the best Warner Brothers movie that MGM ever made.
Marvel is very secretive, so there was no script. About six months before production, they gave me some pages and it was from a cop movie. And then, six months later, I got a phone call saying, "Do you want to come do this?" [iron Man]
I was 18 years old when I booked 'Youth in Revolt,' and it was my first movie, and I was starring in that movie - and even then, I didn't feel like I had made it.
[The Man] was a case where it was a funny role teamed up with another actor. It's a great teaming. And the role was a bigger role. It wasn't so much that it was a co-starring role. This is not a new direction. I'm not saying, 'No. I'm only now co-starring.' It just happens it's a co-starring role.
I moved to Los Angeles in January 2004 because a buddy of mine, who I met at a friend's wedding, said he could get me a room in his apartment for $500 a month. I took it thinking that it would probably only be about six months before I moved back to Chicago, but I fell in love with it.
I was born in Chicago. I moved to Detroit until I was six and moved to Oakland at that point. And then we had a couple years in Stockton and Pasadena. And by the time I was 13, I was back in Oakland.
Comparing 'Christmas Vacation' to 'It's A Wonderful Life' is the silliest thing. That film starred the greatest movie actor of all time, and the idea that our movie could ever be connected in some fashion to something so brilliant and beautiful always made feel like, 'That's all they had to write about?'
Television is a great job for a writer in the way that movies used to be, way before my time. Back when writers in Hollywood were on staff or under contract at any given studio and you'd write movie scripts and then the movies would get made within a few weeks, such that you could be a working writer in the movie business back in the '30s and '40s and '50s and have a hand in writing five or six movies a year that actually got produced. The only thing remotely like that in the 21st century here in Hollywood is working in the TV business.
Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
It was a fun film. I had a great time doing it. I was looking for a role just like that for my first movie role. I didn't want to have a starring role, because I wanted a chance to learn. I didn't want the whole thing riding on me.
Blair liked to think of herself as a hopeless romantic in the style of old movie actresses like Audrey Hepburn and Marilyn Monroe. She was always coming up with plot devices for the movie she was starring in at the moment, the movie that was her life.
I've made movies that I thought were good. I've made movies that I thought were okay, but then I was very good. And sometimes you're in a movie and you think, I wish more people saw that - because you're good. And it just works out that the movie gets lost. But that's show business.
On a television show, you basically make a movie a week. Movies take three months - it's crazy. They're so slow, it's like vacation to me.
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