A Quote by Mark Bradford
I go through the arc of a relationship with every single painting that I do.
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Every single painting is different. I'm always trying to figure out what I'm interested in. Usually when I go through and I make the collages or the images for ideas that I want to paint, it's like an Ouija board. Each painting I do is trying to understand what the hell I'm looking at, or want to look at.
The truth is that every single relationship is very complex and full of contradictions; as you get into a more mature relationship, you realize that the contrasts are part of the fabric of every substantive relationship.
Every film you're commissioned to write is all about an arc; usually, the arc is that the world creates a change in the character, usually for the better. To not have an arc, the messages and ideas in the film became more prominent.
It takes stamina to get up like an athlete every single night, seven to eight performances a week, 20 weeks in a row. And there are many young performers who only learn their craft in the two minute bits it takes to film a scene. You never learn the arc of storytelling, the arc of a character that way.
I went through a few phases of finding myself: I dabbled in musical theater, chess club, dance troupe, splatter-painting, school mascot (go Wildcats), babysitter, photojournalist, drill team girl, emo kid - and not one of them defined me, but every single one will always play a part in who I am.
I wouldn't say I'm a serial monogamist ... I mean, I went through periods of time when I was, ah, single. But when I'm in a relationship, I'm in a relationship.
Every single year, I go through once the new year hits, I go through this moment where I kind of think about how far I've come and what's changed.
I tried different techniques during my career, but I especially fell in love with painting with oil and pallette-knife. Every artwork is the result of long painting process; every canvas is born during the creative search; every painting is full of my inner world.
I think every time you go through a difficult relationship, you realize more and more about what you will and you won't have in your next relationship - what you deserve and what you don't deserve.
My debut single "Pointless Relationship" is about a girl's view of where the relationship is going with her partner and it sounds like a negative term. But the song is more of an empowering song from a woman's perspective! It's the life of them together and it's just never going to go where it should go, and so she's saying to him this is a pointless relationship.
As a writer, you know what the purpose of the scene is. It really has nothing to do with the actor so you have to really get out of that space because for actors it's a micro-focus and then you figure out your arc through what the writers have given you to say. But that arc is just one little piece of the huge arc of the whole film. It took a while to get out of that.
In every relationship you go through really tough times.
With 'Journey,' we created an emotional arc for two different scenarios. So, if you play alone, it's a good game. You have what we think is a complete emotional arc. You will feel, I guess, a sense of transformation in the single-player. Because it's a hero's journey.
There are tens of thousands of interactions every single day across Afghanistan between the Afghan troops and International Security Assistance Force. On most of those, every single day we continue to deepen and broaden the relationship we seek.
When you go to a great concert, you feel this arc, almost like the music of a well-chosen set takes you on this trip through emotions and through various forms of intellectual engagement.
I like my characters to go through some changes during a story arc.
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