A Quote by Mark Burnett
I've always liked adventure television. Pre-'Survivor,' I did a series on cable called 'Eco-Challenge,' an adventure race with experts mainly, and here we have 'Expedition Impossible.' I like the outdoors and I like doing something fresh for television you haven't seen before.
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As a director, I've wanted to have adventure in my life, creative adventure. I think it's partly because I grew up, basically from age six to 26, mostly on television series where the producers find something that works and then do it over and over and over again.
I don't watch a lot of television. I try to watch all the good movies, but I've got about twenty of these television series that I should be watching. I haven't seen 'The Wire.' I haven't seen 'Mad Men.' I haven't seen Kevin's thing. What's that called? 'House of Cards.' I hear it's wonderful.
When I look at my career, the bulk of it has been television, and I love working in television. But there's a speed at which you do it. You're doing seven to ten pages a day on a series, and it's hard to feel like you're doing the detail-oriented work that I like to do.
Having watched television, I would kind of play the role or picture myself on a television show or something like that. That's maybe always been true of a certain type of kid, even before television maybe, but I think it's been amplified to an insane level.
The process of doing films is not my favorite, but I love television. Television is a quicker turnaround. You shoot more during the day, which makes me feel more productive. It would be like, 'I did five scenes today and ten pages.' That's television.
Give me an adventure. I'm not talking about some massive adventure. Just something that would make getting fired seem small. Something that I might remember when I'm old." "I can't predict the future," I said, "but based on what little I know so far, I'm afraid it has to be a massive adventure or nothing." "Great!" "Probably the kind of adventure that ends in a mass burial.
The days of television as we knew it growing up are over. You have a bigger, wider world audience on the Internet, larger than any American television series. People don't watch television in the same context as before. Nowadays they watch their television on the Internet at their convenience. That's the whole wave, and it's now - not the future.
Are wars... anything but the means whereby a nation's problems are set, where creation is stimulated - there you have adventure. But there is no adventure in heads-or-tails, in betting that the toss will come out of life or death. War is not an adventure. It is a disease. It is like typhus.
I've done a show at the Largo Theater called The 'Thrilling Adventure Hour.' We read, like, radio teleplays. It's a send-up of radio dramas from the '30s and '40s. We just did a Kickstarter for that so that we can do a web series and a concert film.
My feeling about all films and all television is that it's an adventure. That's the way I have to look at it. Because you don't know what the climate of the circumstance is going to be. It could be very good. It could be very mediocre. It could be very bad. You don't know. But I've been doing it long enough now to know that it's an adventure. That's what it's all about.
The fact is that television, even before the movies, offered the chance to control our work and to get to do it again when we did something right. So television has always been better to writers than any other medium for a long time.
The great thing about adventure, when told correctly, is it is one of the few genres that everybody in the family can watch together. Our television has become so targeted, it's so specific that there's literally nothing else on television that grandparents are watching with their grandkids, and they're both entertained.
The 1990 'Goodwill Games' can be another indication that the television world is not divided between commercial and cable. If the viewer thinks highly of our efforts... they will have a higher opinion of cable television and TBS.
I have quite a bit of experience reporting on corporate behavior, both doing it with independent operations in early in my career, in the underground press, to magazines like 'Rolling Stone,' to regional newspapers and television, and television news programs, to papers like the 'New York Times' and public television.
Do I believe the execution will work out? Les Moonves said yes to Survivor based partly upon my show Eco-Challenge. He liked my way of filming outdoors. It was the first use of helicopters on a documentary with the gyro-stabilized lenses. And a certain beauty of filming, allowing the drops to fall from a leaf into a puddle, allowing a spider to weave a web. Taking the breath to allow that to happen rather than showing scene after scene.
Reality has no security and that is its beauty. Life has no security and that is its beauty. Because there is no security, there is adventure. Because the future is unknown, nobody knows what is going to happen the next moment. That's why there is challenge, growth, adventure. If you miss adventure, you miss all. If your life is not that of an adventure, of a search into the unknown, then you are living in vain.
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