A Quote by Mark Kozelek
I play shows sometimes, and if everything's connecting, I start blabbing to the audience about anything. Between songs, talking about things in my personal life, or whatever. But there are other situations where I feel a little closed-off. It's really kind of a day-to-day thing.
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Everything is super personal. Basically all of the songs are 'this is my life and what I feel about it.' That's how my brain works and thinks about things. It's really strange because I never really think about what I want to write about - it sort of just comes out. I literally say whatever is in my brain.
I read a ton of nonfiction. I tend to read about a lot of very extreme situations, life-or-death situations. I'm very interested in books about Arctic exploration or about doomed Apollo missions. I tend to read a lot of nonfiction that's sort of hyperbolic and visceral. And then I kind of draw on my own personal experiences and my own sort of generic life experience, and I kind of try to feed my day-to-day reality that I have with sort of high stakes reference points that I read about. They're things everyone can relate to.
You have women that are political commentators that are talking about the elections, talking about the news of the day, and really helping shape how information is disseminated. I feel we're reaching a whole new audience, which is great to be able to bring in and encourage other young women to do this.
The great thing about not having a script is there's nothing you have to shoot that day. When you start filming, you can shoot anything you want. There's no pressure to shoot anything. Whatever interests you that day is what you're shooting. That's a big liberation that makes it more enjoyable and more relaxed. I think if you have that kind of framework it can make it a much more satisfying thing to work on and to watch as well.
Honestly, when you start talking about genres, you're talking as much about the business side of writing as anything else. Certainly there are elements of reader expectation that play into various genres, and those are important, but it also becomes about packaging, placement, audience....In the end, I'm not a fan of labels. I think the best fiction blurs the boundaries between genres, stretches and breaks them.
I think when you're talking about marriage equality and race, people very quickly start to get into their political corners: their ideology comes to the forefront, and they get into this platform argument that they're used to making, which really doesn't have anything to do with the day-to-day basics of what is being talked about.
If you don't feel comfortable talking about really personal things in your music, you shouldn't do it. There's plenty of other things to write about.
The thing with me is, about that - about rock and all that - years and years of crate-digging, listening to old music, you kind of start to connect the dots. And I was seeing the thread that was connecting everything together, which is pretty much the blues. And everything soul or funk kind of starts with that.
A lot of friendship is about practice, that’s something I’ve learned as I’ve gotten older. It’s not simply some spiritual soul-bond of memories and longings, it’s really about having coffee every week, or talking on the phone every day or every other day - whatever suits you.
With every film, we form a small little world for a period of time. Everybody is close, and then one fine day everything is over. That can throw you off. So you have to learn to take things in your stride and not get too emotional about people or situations.
I listen to a lot of songs, and they aren't talking about anything. I don't connect with them. I'll listen to something like Musiq Soulchild's 'Just Friends,' and I'm like, 'Wow, I really feel what he's talking about.' That's how I want people to feel about my music.
Before, I used to just make songs all day and now, with so much business and other things that I have in my personal life, I don't have time to sit around and make songs like I used to. I wish I did. I wish I could practice on my craft all day and just be in the studio like I feel Lil Wayne does.
I talk about everything. I'm like the person who comes home and can't hide anything. Even my friends sometimes are like, 'Kate, you've got to stop talking so much about your life.' And I'm like, 'Why?' I can't keep things in, really.
The thing about running is, if I run in the morning before work, I feel like I'm ahead of the day. Whatever work I've done in terms of preparation or research or thinking about the scene or the character, it all kind of crystallizes in that moment in the morning. And sometimes I have the best ideas then.
I'm thankful to have Jesus as my Savior. My relationship with God has always been one to where I'm talking to him all day, every day, about anything and everything. It's just a continuous ongoing conversation that I have with the Lord, and I feel like that's brought me closer to Him.
I don't see any harm with coming out and talking about your life and talking about problems and talking about things that happened when you're past certain situations.
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