A Quote by Mark Kurlansky

Let's face it: the 19th century really was the great age of the novel - Melville, Hawthorne, Tolstoy. These are the people I really admire. — © Mark Kurlansky
Let's face it: the 19th century really was the great age of the novel - Melville, Hawthorne, Tolstoy. These are the people I really admire.
Nantucket was a Quaker-based culture, so they were not readers. There's a great Nantucket-based novel from the 19th century that Melville read for his research for 'Moby-Dick': 'Miriam Coffin' by Joseph Hart.
I took a 19th-century Russian novel class in college and have been smitten with Russian literature ever since. Writers like Tolstoy, Dostoyevsky, Grossman, and Solzhenitsyn tackle the great questions of morality, politics, love, and death.
We've got in the habit of not really understanding how freedom was in the 19th century, the idea of government of the people in the 19th century. America commits itself to that in theory.
Chechnya forms the bookends to Tolstoy's career. He began writing his first novel, 'Childhood,' while in Starogladovskaya in Northern Chechnya, and his final novel, 'Hadji Murad,' is set in the Russo-Chechen War of the 19th century.
I was really interested in 20th century communalism and alternative communities, the boom of communes in the 60s and 70s. That led me back to the 19th century. I was shocked to find what I would describe as far more utopian ideas in the 19th century than in the 20th century. Not only were the ideas so extreme, but surprising people were adopting them.
I think every age has a medium that talks to it more eloquently than the others. In the 19th century it was symphonic music and the novel. For various technical and artistic reasons, film became that eloquent medium for the 20th century.
My view of an excellent novel was probably set in the golden age of fiction in the 19th century: narrative, character and voice are of equal importance.
People have asked me about the 19th century and how I knew so much about it. And the fact is I really grew up in the 19th century, because North Carolina in the 1950s, the early years of my childhood, was exactly synchronous with North Carolina in the 1850s. And I used every scrap of knowledge that I had.
Back when the powerful 19th-century senator Henry Clay was called 'the great compromiser,' achieving a compromise really was considered great.
There are so many great 19th-century photographers, and it's really my favorite period, but the amateurs did such beautiful work.
I've read short stories that are as dense as a 19th century novel and novels that really are short stories filled with a lot of helium.
Many great authors of the 19th century wrote under conditions of strict censorship. The great thing about the art of writing a novel, is that you can write about anything. All you have to say is that it's fiction.
The Anglo-American tradition is much more linear than the European tradition. If you think about writers like Borges, Calvino, Perec or Marquez, they're not bound in the same sort of way. They don't come out of the classic 19th-century novel, which is where all the problems start. 19th-century novels are fabulous and we should all read them, but we shouldn't write them.
I've been really lucky to work with a lot of really great actors, so watching the films back, it's really important to admire the people that you were working with and see their full performance.
I've always been a fan of the 19th century novel, of the novel that is plotted, character-driven, and where the passage of time is almost as central to the novel as a major minor character, the passage of time and its effect on the characters in the story.
The dollar used to be a gold standard currency. And the dollar is really good in the last century, I mean in the 19th century.
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