A Quote by Mark Margolis
I actually don't pay a lot of attention to the movie 'industry'... I just do the work when I get it. I never considered anything I was in, or did, as a possible breakthrough for me. I have advised other actors not to expect anything. Expecting a 'breakthrough' is almost an automatic for sure 'let down' or heartbreak.
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I always tell people there's nothing greater than a crisis to create a breakthrough. Because that's when we breakthrough usually - most people don't proactively breakthrough - they breakthrough because they have to. And the beauty of crisis is it doesn't feel beautiful, is it melts us down. And when you're melted down you can recast your life in a new way.
I think as far as straight actors playing gay roles, "Brokeback Mountain" was a big breakthrough. I'm pretty sure when they were casting that movie that - I think the story is, like you know, 10 to 15 other actors turned it down.
We actually did a lot of takes on this movie [J. Edgar Hoover]. I never left the set wanting more. That's for sure. I don't know. This was a very difficult character for me and a lot of the other actors here, and at times we went and did 8 or 9 or 10 takes on a single day.
A lot of people have their big dreams and get knocked down and don't have things go their way. And you never give up hope, and you really just hold on to it. Hard work and perserverance. You just keep getting up and getting up, and then you get that breakthrough.
Ever so often in the history of human endeavour, there comes a breakthrough that takes humankind across a frontier into a new era. ... today's announcement is such a breakthrough, a breakthrough that opens the way for massive advancement in the treatment of cancer and hereditary diseases. And that is only the beginning.
As with instant replay, NFL Films' use of slow motion, camera angles and the narration of Facenda was not just a technical breakthrough but a conceptual breakthrough.
We're actually saying, here's a principle that I'd like to arc toward. That's a very different role in life. I didn't expect [Barack] Obama to go to the root of things. I didn't expect him to have a principled position on anything. I mean, just pay some moderate attention to the guy.
When I was a player, I didn't expect my teammates to play the way I did. I did expect them to work hard every day and get better. And I never learned anything by losing.
The thing that I look for in a script - I'm not looking for anything next because you never know where life's going to take you, so you can't just expect, 'I want to do this next.' So I'm not expecting anything; I'm just hoping.
The thing that I look for in a script- I'm not looking for anything next because you never know where life's going to take you so you can't just expect I want to do this next. So I'm not expecting anything, I'm just hoping.
I think I've always had an activist stance, yet at the same time, the other side of me - and this is where some people just don't get it, or they'd prefer it if the work was a lot uglier, a lot louder - I have this personality where I just want to put something out that's a fact and then let you interpret it. It's almost as if you might barely notice it, you might walk right by it, but you have to pay attention.
When I made a breakthrough as an actor, people started to say, 'Who's that bloke with the funny name?' They advised me to change it, saying it would never be put up in lights outside theaters because they couldn't afford the electricity. But I would never contemplate changing it. It's who I am.
Charles de Foucauld, the found of the Little Brothers of Jesus, wrote a single sentence that's ahad a profound impact on my life. He said, "The one thing we owe absolutely to God is never to be afraid of anything." Never to be afraid of anything, even death, which, after all, is but that final breakthrough into the open, waiting, outstretched arms of Abba.
In all honesty, I never actually did anything wrong (in my eyes, at least) at school or misbehaved in any big way. If it was anything, it was probably just a lot of clowning around.
Being "America's Sweetheart", that label gets put on a lot of people. I don't pay that much attention. And I'm not trying to shake anything. I'm just following my instincts and doing work that is coming to me and I'm just grateful for it.
One very important aspect of art is that it makes people aware of what they know and don’t know they know... Once the breakthrough is made, there is a permanent expansion of awareness. But there is always a reaction of rage, of outrage, at the first breakthrough... So the artist, then, expands awareness. And once the breakthrough is made, this becomes part of the general awareness.
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