A Quote by Mark Mothersbaugh
I write all the time. I do artwork that's part of a diary, and I write short stories to go with them pretty much every day.
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Now I don't drink, and I get up in the morning and I write in my diary, and I can write in my diary for hours if I feel like it. And I'm still sober so I can write the stories that I'm working on, and I can sit at the desk as long as I need to. So that changed a lot, I think.
I write short stories. I write every day.
Write a short story every week. It's not possible to write 52 bad short stories in a row.
I do not keep a diary. Never have. To write a diary every day is like returning to one's own vomit.
I don't write all the time. But if I'm writing something, I'll just bang into it every day until it's finished. I write pretty quickly.
I don't write as much now as I used to, but I write. The lines still come, maybe periodically, and I'll go through these little bursts of time where I write a lot of things then a long period of time where maybe I don't write anything. Or these lines will come into my head and I'll write 'em down in a little book, just little sets of lines, but I won't try to make stories or poems out of them. I'm doing a lot of that now, just the lines.
I like to go out and write. So I'll often go to a Starbucks or a local coffee bar, and I'll sit there and I'll write. I can write pretty much anywhere.
Keep a diary, but don't just list all the things you did during the day. Pick one incident and write it up as a brief vignette. Give it color, include quotes and dialogue, shape it like a story with a beginning, middle and end—as if it were a short story or an episode in a novel. It's great practice. Do this while figuring out what you want to write a book about. The book may even emerge from within this running diary.
Every night before you go to bed write down three things good that happened to you that day. That's pretty much all it takes to get a happiness boost over time.
Don’t try to write a novel. Write short stories and then figure out how to connect them.
As a reporter, going around, you hear stories you can't prove, which means you can't put them in the newspaper. But they're good stories, and I would jot them down thinking maybe one day I could write that as a short story.
The only way, I think, to learn to write short stories is to write them, and then try to discover what you have done.
I hadn't meant to do the pattern of publishing short stories and then a novel. I thought, 'I'm a novelist. I know it.' But you have to kind of write a lot of bad novels before you can write a good one, I think, so I did that. But meanwhile, I loved the short stories I did.
I write a diary every day.
I don't write as much now as I used to, but I write. The lines still come, maybe periodically, and I'll go through these little bursts of time where I write a lot of things then a long period of time where maybe I don't write anything.
I think a part of the reason that those early plays were short was that I just kept having these ideas, and I'd just go off and write them. I wasn't trying to write one-act plays - it's just how the ideas would be expressed. Every condition I was in seemed like it could be a play.
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