A Quote by Mark Ronson

I think Katy B encapsulates young London in a way I never could. She reps London harder than anyone song-wise since Lily Allen. — © Mark Ronson
I think Katy B encapsulates young London in a way I never could. She reps London harder than anyone song-wise since Lily Allen.
A lot of London's image never was. There never was a Dickensian London, or a Shakespearean London, or a swinging London.
'Kraken' is set in London and has a lot of London riffs, but I think it's more like slightly dreamlike, slightly abstract London. It's London as a kind of fantasy kingdom.
I really like Katy Perry and the music she does. She's an amazing musician and it's an honour to be opening for her in London.
I could not cherish London and not value Jewish London. The contribution of Jews to London is immense - politically, economically, culturally, intellectually, philanthropically, artistically.
I think one of the London Film Festival strengths is that it's set in London but it's not about London. It's about the diversity of this city and it's about world cinema. And that's what London is - London is a place where its identity is always in a state of flux. So, this festival celebrates the way in which it is always changing. That's why London is a fascinating place and that's why the film festival is a fascinating film festival.
I arrived in London and I was terrified. I never wanted to be a celebrity - one minute I was in school and the next I was in London talking to people at a record company. If anything, I didn't feel in any way worthy.
I was every Londoner's stereotypical idea of a brash, vulgar American. When I got here, it turned out that London was the Wild West, and New York was like London at the height of the Victorian era, in which everyone was far more obsessed with table manners and status-climbing than they are in London. In London, everyone was just crawling over this blizzard of cocaine. Here, if you have more than a glass of wine with your meal, people refer you to Alcoholics Anonymous.
I was brought up in a flat in North London - virtually the last building in London, because north of us was countryside all the way to the coast, and south of us was non-stop London for 20 miles.
I lived in London, went to the London School of Economics, do a lot of business in London, and have a lot of fun in London.
In London I have been by turns poor and rich, hopeful and despondent, successful and down and out, utterly miserable and ecstatically, dizzily happy. I belong to London as each of us can belong to only one place on this earth. And, in the same way, London belongs to me.
I've spent lots of time in London, I studied in London, I like London. It's just not my home.
My stepfather introduced me to The London Library when I was about 18; the clientele has definitely changed since then, but it is still a wonderful oasis in the middle of London.
My mother had lived in London since I was little, so she never got to see my school plays and stuff.
It's incredible how London-centric the theatre world is. Certain actors won't travel away from London anymore for work; practitioners often aren't taken seriously enough unless their work is seen in London; and it's sometimes very difficult to get national critics to review shows - especially if there's a clash with a London press night.
The first song is called 'London.' It's about two Russian soldiers who desert the Russian army and escape to London, where they indulge in a life of crime.
As far as cities, I love London. I go to London very often because I think the young people there are very creative. I also love New York, of course, and the clash of different cultures you find there.
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