A Quote by Mark Steyn

Jokes are one of the things that bind the culture. If you can't have jokes about everybody in society and if one group is hedged off and protected then that group can never truly be integrated.
People would say, "Oh, you say you just do jokes." I don't just do jokes. I do jokes. Jokes are important. They saved my life when I was younger. Hopefully we're making things nicer at the end of the day for people. That's the entire goal, and that's the touchstone and the North Star for the tone.
Jokes about my surname aren't a big deal at all. In fact, that's what jokes are meant for - you laugh and then forget about it.
There is a resentment and rejection of liberal culture. That culture is not available to many people in America. And the liberal coastal elite, who may never have been to rural America, just think everyone there is racist and homophobic and judge them to be terrible people. They think there is nothing wrong to be making jokes about 'meth heads', who are actually a group of people with poverty-related drug issues. They don't see their own hypocrisy. I think this is a huge issue and one that cannot be ignored.
One has to give minority groups a kind of reward, an emotional reward, that it is worthwhile assimilating to this particular majority group. And if this majority group looks down on itself ... If a minority group is not given some pride in assimilating to the culture of another group then the process is very difficult.
I don't tend to like race jokes. I don't like Jew jokes and black jokes, and they make me very uncomfortable, probably because I'm both. Well, I'm not black - but if I was then I could dance better.
I played the tour in 1967 and told jokes and nobody laughed. Then I won the Open the next year, told the same jokes, and everybody laughed like hell.
I use mother-in-law jokes, kid jokes, tax jokes - anything that works.
A good cartoon is always good on two or three levels: surface physical comedy, some intellectual stuff - like Warner Brothers cartoons' pop-culture jokes, gas-rationing jokes during the war - and then the overall character appeal.
I am absolutely okay with jokes on me now, but initially, yes, I was perturbed ki why me? I am not a personality on whom jokes are made randomly. Later, I was like, if everyone is enjoying jokes on me, even I should laugh it off instead of opposing them.
There are two kinds of jokes - funny jokes and Jack Benny jokes.
I personally don't feel any pressure to make jokes about multiple baby-fathers and stereotypical black jokes, because one, that's just not my life, and two, I wouldn't even sound right talking about those things.
I don't really want to tell jokes about trivia; I'd kind of rather tell jokes about things like life and death.
There are jokes I know I want to tell, and there's sort of a rough order, but usually I try to change it up every show, to improvise and talk with the audience. I think when you tell jokes, if you're not careful, you can end up telling the whole list of jokes and then that's it. And that can get a little boring.
People don't understand that we're not warriors in their cause. We're a group of people that really feel that they want to write jokes about the absurdity that we see in government and the world and all that, and that's it.
In 1947 and '48, everybody in then-Palestine belonged to some group. I chose the group that was the forerunner of the Israel Defense Forces.
Evolution has programmed our brains to find two things particularly interesting, and therefore memorable: jokes and sex - and especially, it seems, jokes about sex.
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