A Quote by Mark Z. Danielewski

Make no mistake, those who write long books have nothing to say. Of course those who write short books have even less to say. — © Mark Z. Danielewski
Make no mistake, those who write long books have nothing to say. Of course those who write short books have even less to say.
I cannot write long books; I leave that for those who have nothing to say.
Those with a gift for action, for their part, often express contempt for those whose gifts are more reflective. Men of action like to say, 'Those who can, do, those who can't, teach,' forgetting that those who teach get to write the history books.
Those with a gift for action, for their part, often express contempt for those whose gifts are more reflective. Men of action like to say, Those who can, do, those who cant, teach, forgetting that those who teach get to write the history books.
I don't write huge books any more. I used to write 1,000 printed pages, but now I write short books. I did one on Napoleon, 50,000 words - enjoyed doing that. He was a baddie. I did one on Churchill, which was a bestseller in New York, I'm glad to say. 50,000 words. He was a goodie.
The age of the book is not over. No way... But maybe the age of some books is over. People say to me sometimes 'Steve, are you ever going to write a straight novel, a serious novel' and by that they mean a novel about college professors who are having impotence problems or something like that. And I have to say those things just don't interest me. Why? I don't know. But it took me about twenty years to get over that question, and not be kind of ashamed about what I do, of the books I write.
One wouldn't want to say that what makes a good writer is the number of books that the writer wrote because you could write a whole number of bad books. Books that don't work, mediocre books, or there's a whole bunch of people in the pulp tradition who have done that. They just wrote... and actually they didn't write a whole bunch of books, they just wrote one book many times.
I write romance, women's fiction, chicklit. I think it all fits very comfortably under the same umbrella. Basically, I write books for women - books about relationships, books that make you laugh and sometimes make you cry a little.
I wanted to be a writer that had an impact. I wanted, and still I say the same thing, I want to write books that change people's lives, change how we think and live and read and write. I wanna write books that are read in 50 or 100 years.
The difference between people who believe they have books inside of them and those who actually write books is sheer cussed persistence - the ability to make yourself work at your craft, every day - the belief, even in the face of obstacles, that you've got something worth saying.
When you realize my best selling books are 'Owl Moon,' the 'How Do Dinosaur' books, and 'Devil's Arithmetic,' how can the public make sense of that! I have fans who think I only write picture books or only write SF and fantasy. I have fanatics of my poetry and are stunned to find out I write prose, too!
Writers are troubled about finding time to write and writer's block and publicizing books that aren't books yet. They agonize over how to write and what to write and what not to write.
Fahrenheit 451 is one of those books that is about how amazing books are and how amazing the people who write books are. Writers love writing books like this, and for some reason, we let them get away with it.
I've heard some writers say things like, 'Well, I'm a professional writer. I only start books I know I can finish.' I look at it maybe the other way: I only want to write books I'm not sure I can write.
I shall be so glad if you will tell me what to read. I have been looking into all the books in the library at Offendene, but there is nothing readable. The leaves all stick together and smell musty. I wish I could write books to amuse myself, as you can! How delightful it must be to write books after one's own taste instead of reading other people's! Home-made books must be so nice.
Why do I write historical fiction? Johnny Tremain, The Witch of Blackbird Pond, Island of the Blue Dolphins-that's why. I'll never forget how it felt to read those books. I want to write books with the same power to transport readers into another time and place.
I read books when I was a kid, lots of books. Books always seemed like magic to me. They took you to the most amazing places. When I got older, I realized that I couldn't find books that took me to all of the places I wanted to go. To go to those places, I had to write some books myself.
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