A Quote by Mark Dacascos

The thing with 'Mortal Kombat' is we really deal with that: What is the right thing to do? When somebody does something bad, do you, then, in your mind, rectify the situation by doing something bad to them?
Your choices are very important. The only thing you have as actors are your choices: the option to say no to something. You don't want to take on a really bad job and be terrible in something - especially in film, because if you're bad in it, you're bad in it forever.
It upsets me that people think what I'm doing is a bad thing. I don't think it's a bad thing. If you know something to be a fact, why not report it?... If I have to drag some people screaming out of the closet, then I will.
If something comes that it is so extreme that you have difficulty thinking of it as a good thing, don't think of it as a good thing and kid yourself. To the extent that you can, don't label it a bad thing. Refusing to label something a bad thing opens you up to possibilities you would not have even considered otherwise.
What is a bad thing anyway? A bad thing is something that is different than what I want. Who gets to decide what the bad thing is? Jerry and Esther watched the mother bird lay her eggs in the nest, and then the neighbor's cat ate the baby bird. Esther said "bad cat!" And the cat said, "good bird!
It's like, whether or not you're humiliated or embarrassed or you do well is contingent on the choices that you make in your work. So that is a lot of pressure to be like, 'Oh no, am I doing the right thing? Am I doing something cool? Am I doing something bad?'
Don't ever think of bad things that could happen, and you'll have a better chance of them never happening. Don't ever think about doing something bad to someone, because depending on the intensity of your mind waves, something bad could really happen to them. Think love. Be love. Breathe only love, and love you shall be. When you stress out, things will stress out around you. Always control your thoughts and pacify any unnecessary stress. Control your vibrations and you are the master of your own harmony.
I think it's a waste of time to worry about the motives of why people are supportive of things. I think we should look at the thing itself. And if they're supportive of something that's sexist or racist, then it's a bad thing, but it's not because they're supportive of it that it's a bad thing.
I've always loved those movies where somebody really wants something, and then the thing they want is right in front of them.
People always ask me "Son what does it take To reach out and touch your dreams?" To them I always say Are you hungry? Are you thirsty? Is it a fire that burns you up inside? How bad do you want it? How bad do you need it? Are you eating, sleeping, dreaming With that one thing on your mind? How bad do you want it? How bad do you need it? Cause if you want it all You've got to lay it all out on the line.
I really don't want somebody writing something positive about me if they don't believe in it. I'd rather somebody write something real mean. I like reading bad stuff, it gets me excited. In fact, the only reviews I keep are the bad ones 'cause I think they're the cool ones.
I really wanted to make the worst thing: the thing that even people who liked bad, terrible music wouldn't like - the stuff that people would ignore, always. Something really, really stupid. Something that is destined for failure.
For my part, I am very much more afraid of the man who does a bad thing and does not know it is bad than of the man who does a bad thing and knows it is bad; because I think that in public affairs stupidity is more dangerous than knavery, because harder to fight and dislodge.
You know what the really scary thing about bad dreams? It's that something's going on in your head, and you can't control it. I mean, It's like there's these bad worlds inside you. But it's just you... it's like you're betraying yourself.
The biggest trap that all performers and writers find is that when something really crazy, really bad happens, your mind immediately goes to, 'Can I write about this?' - which is good and bad.
You don’t get to mis-define a thing, and then on the basis of that mis-definition, say that that thing is bad … it’s incumbent upon you, if you’re going to make a criticism of something, that you actually have at your command a working definition of the thing you're criticizing
Acting is a really strange thing. You have to know when you're put in a bad situation, but you also have to be willing to do something very strange.
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