A Quote by Mark Fisher

I'm the world's greatest apologist for Brian De Palma but his version of Ellroy's 'The Black Dahlia' is a disaster. — © Mark Fisher
I'm the world's greatest apologist for Brian De Palma but his version of Ellroy's 'The Black Dahlia' is a disaster.
Martin Scorcese is probably America's greatest living director, and while he is not a titan like John Ford or Alfred Hitchcock or Federico Fellini, he is certainly consistently more interesting than Steven Spielberg, Brian de Palma, Francis Ford Coppola or Woody Allen. Even a failure like Gangs of New York or a curiosity like The Aviator is more interesting and ambitious than Munich, The Black Dahlia or Scoop.
Noir' has been talked about a great deal in the discussion of 'The Black Dahlia,' but De Palma's palllete couldn't be less monochrome; it's the very definition of garish.
I love Brian De Palma.
I was really fortunate from the time I arrived in Hollywood to work with some of the greatest directors from the beginning. I worked with Robert Altman, John Boorman, and of course Steven Spielberg, Michael Cimino, Brian De Palma ... I couldn't pick one of them; they were all different, but they are all so talented.
Oh my God. Brian De Palma. I love him.
Truth be told, actually, my favorite director of the Movie Brats was not Scorsese. Loved him. But my favorite director of the Movie Brats was Brian de Palma. I actually met De Palma right after I'd done 'Reservoir Dogs,' and I was very beside myself.
I really liked Carrie a lot. That was one of Brian De Palma's best movies.
I'm a big fan of Brian De Palma's 'Sisters,' and I also love 'Let The Right One In.'
Brings [O'Brian's] achievement to a new height....Such is O'Brian's power to possess the imagination that I found I was living in his world as much as my own, wanting to know what happens next. That is the real test. Any contemporary novelist should recognize in Patrick O'Brian a Master of the Art.
'Scarface' was a tremendous undertaking, and I'm one of those who really feel that no one could have done it like Brian De Palma.
I went to Cal Arts and AFI, and I worked on 'Bonfire Of The Vanities.' I got this grant from the Academy to be Brian De Palma's apprentice director. And it was such a harrowing, disillusioning, awful experience.
We had many good directors - John Carpenter, Brian De Palma - but things have become polluted by business, money and bad relationships. The success of the horror genre has led to its downfall.
I was with Brian De Palma at the time, and he said he wrote the role specifically for me. I don't know what that says about the way he saw me, since the role was of a castrating killer. Brian came one morning to the house, said "Here's your Christmas present." He wrote the character to have a Swedish accent, but since I couldn't pull that off, he switched it to French-Canadian. It was such a romantic time in my life. Everyone was young and passionate and convinced they were going to change film forever.
The thing I tried to remember when I was younger was 'Do something that's at least as good, if not better, than the last thing you did.' So I started with Brian De Palma and Sean Penn. I had a pretty high bar to start with.
The best work we can ever do in this world is work on being the greatest version of ourselves so we can continue to give the highest version of this to others.
(After Nicholas tells Dahlia that he loves her) "...Just don't break my heart my heart, Dahlia. I've never handed it over to anyone before." She placed both hands over his. "I've never had anyone's heart. I don't know the first thing about keeping hearts. You're taking a terrible risk." "That's what I do best." ... "Are you feeling relaxed now?" ... "I was until you started throwing around the L-word. That's enough to scare anyone.
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