A Quote by Mark Frost

Censors, the whole idea of it, is so childish. You feel like you're talking to hall monitors in school again. — © Mark Frost
Censors, the whole idea of it, is so childish. You feel like you're talking to hall monitors in school again.
Censors will try to censor a little bit more each year (because, like editors and other officious people, censors don't feel they are getting anywhere unless they are up and doing).
When I finished a song that I thought was good, I thought, I don't know where that came from, so I have no idea if I can do that again. I'm talking like, a hundred and fifty songs down the line. I still feel that.
I like the idea that [Mahatma] Gandhi is appearing now in an opera hall in all these different places, and people kind of think about it again.
I've been to the Hall of Fame many times, in grade school and high school. I had field trips to the Hall of Fame and taking tours of it. I just never thought about that one day I possibly might be in it. I think it'd be great.
For a whole year in elementary school, when the class marched down to the school library every week, I would refuse to return my book. I would just check it out again and again. Every week. For a whole year. The object of my fourth-grade filibuster was 'D'Aulaires' Book of Greek Myths.'
There isn't one album that says 'Hall & Oates.' It's always 'Daryl Hall and John Oates.' From the very beginning. People never note that. The idea of 'Hall & Oates,' this two-headed monster, this thing, is not anything we've ever wanted or liked.
Malcolm X and Elijah Muhammad's message made a whole lot of people feel whole again, human being again. Some of them came out and found a new meaning to their manhood and their womanhood.
When it came to the Hall of Fame, I've been very critical of the direction they've taken and I'd feel like a hypocrite if I just accepted this Hall of Fame while I'm so against what they're doing.
But if you get a kick out of "The Jerry Springer Show," you're going to love it! The idea of hearing these lyrics and profanities - like the chorus at the top of the show - the idea that we're going to hear it in Carnegie Hall is just genius. It's been written with real care! It's not some crappy little musical that somehow found its way off-Broadway with vulgar-intentions. This is really beautiful, operatic music. It has a place in Carnegie Hall.
I didn't see Kirby Puckett as a Hall of Famer. I didn't see Gary Carter as a Hall of Famer. I didn't see Don Sutton as a Hall of Famer. I didn't see Phil Niekro as a Hall of Famer. As much as I like Jim Rice, I'm not so sure he's a Hall of Famer.
Cleansed, chlorinated to the point of chemical peel, sore muscles relieved, I felt almost human again. Tiptoe to my room, up a darkened hall, past closed doors, I wondered if I'd ever feel completely human again.
I feel like I have to do some promotion to let the people know that the records are out there; but I kind of like the idea that it's my work that does the talking rather than me.
The whole point of what I do - the monster ball, the music, the performance art aspect of it, I wanna create a space for my fans where they can feel free and they can celebrate because I didn't fit in in high school and I felt like a freak, so I like to create this atmosphere for my fans where they feel like they have a freak in me to hang out with and they don't feel alone.
I am already in a couple Hall of Fames, like the Michigan Hall of Fame and the Dan Gable Professional Wrestling Hall of Fame, so my accolades speak for themselves. Let's just say I'm not losing any sleep over any Hall of Fame induction.
I have a number of vague ideas where I just have the core or kernel of the idea. I feel like I need some time for my mind to fill up again. I feel empty. Right now.
I hate the idea that talking security is Likud and right wing, and talking about peace is left wing and Labor and Kadima. The whole idea is to find a way to bridge: to find a way to have security and peace together.
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