A Quote by Martin Gore

I do a cover of a Velvet Underground song, and they were one of the most important bands, for me. — © Martin Gore
I do a cover of a Velvet Underground song, and they were one of the most important bands, for me.
Imagine a music business where all the music press talked about, all day long, was cover bands of old rock and pop groups. Beatles cover bands, Rolling Stones cover bands, The Who cover bands, Led Zeppelin cover bands. Cover bands, cover bands, everywhere you go.
If you asked me to sing a modern song, I wouldn't be able to - I can't easily slip into that groove. But if it were a song by Nico or The Velvet Underground, fine.
I guess, for me, what started me getting real excited about music was the New York punk and new-wave scene. All those bands looked back to the Velvet Underground and the Stooges and the Modern Lovers as well. But that was back when Television were punk, and the Talking Heads were punk.
When we learned to play in bands, what we were covering was equal part the Velvet Underground and the Grateful Dead. That would defy the logic that somehow these things don't fit in the same musical well.
I was in band that played mostly covers for a while, and the bands that we would cover were, like, the alternative rock bands of that day: we did a Jane's Addiction song and a Faith No More song. All the kind of alternative radio of that time, the late '80s, basically.
No part of Manhattan these days really has the same vibe I get from a Ramones song or a Velvet Underground song.
The only criterion we used in doing cover material was we wanted to do songs that we wished bands would play when we went out. We were doing Yardbirds and Rolling Stones cover songs-which is not any big deal, but where we were from, all we were getting were Top 40 bands.
'You Talk' was originally a copy of a certain Velvet Underground song.
Me personally, I side more with punk rock bands. I grew up with The Misfits, The Dead Boys, The Damned, Dropkick Murphys, and early AFI. That was the stuff that really got me into music. Song writing wise, bands like Alkaline Trio were very important to me for beginning to write songs.
I would be happy to produce groups, like John Cale - he was in the Velvet Underground, and then he went on to produce these bands.
When I first got involved in the underground metal scene in '82, '83, there were only about five or six major Death or Black Metal bands around. There were so many other bands that were inspirational, that really helped.
The girl that introduced The Smiths' song 'Asleep' to me was an important musical influence that I met in college. From there it's been an ongoing journey of different bands at different times, introducing bands and songs to me.
The clothes I wear... that doesn't change. I love long dresses. I love velvet. I love high boots. I never change. I love the same eye make-up. I'm not a fad person. I still have everything I had then. That's one part of me... that's where my songs come from. There's a song on the new Fleetwood Mac album [Mirage] that says, 'Going back to the velvet underground/back to the floor that I love,' because I always put my bed on the floor. 'To a room with some lace and paper flowers/ back to the gypsy that I was.'
Music has fed me a lot of ideas... The film BLUE VELVET came out of Bobby Vinton's version of the song BLUE VELVET.
Sweet Jane' is my favorite song by Lou Reed the writer, at least the Velvet Underground Lou Reed.
My great-grandmother was in one of the first girl bands, in the 1920s. Their outfits were mental: velvet bloomers with big ribbons and headpieces. They were brilliant.
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