A Quote by Martin Parr

Choosing sepia is all to do with trying to make the image look romantic and idealistic. It's sort of a soft version of propaganda. — © Martin Parr
Choosing sepia is all to do with trying to make the image look romantic and idealistic. It's sort of a soft version of propaganda.
Sepia in particular tends to make everything look a bit romantic and almost sentimental, hence the fact that it remains such a popular choice for wedding photographs.
My image was that of a romantic, soft hero.
As opposed to trying to make a kiss look romantic or sweet or passionate, it's kind of fun to just have the freedom to make it look weird, goofy and awkward.
A good story isn't the one that shuts everyone down and sort of leaves them in silent awe. A good story is one that, even before you finish the anecdote, you can see their eyes shining because it has so resonated with something from their own lives that everyone in the group has a version of the same story and they cannot wait to tell it, and that they're going to compete to make their version even more extreme than your version. So your version is just a seed.
I make one image—though 'make' is not the right word; I let, perhaps, an image be 'made' emotionally in me and then apply to it what intellectual & critical forces I possess—let it breed another, let that image contradict the first, make, of the third image bred out of the other two together, a fourth contradictory image, and let them all, within my imposed formal limits, conflict.
People are constantly trying to make an image for you. They`ll dress you up and tell you to pose a certain way and take all these pictures... they want a certain image, so they create that. And unless you`re spending a lot of time to create another image to counteract that image, theirs will win. So right now, I`m kind of dealing with a lot of false ideas of what I`m about.
I think the best romantic comedies are hard funny - no soft jokes, but ones that make you, like, guffaw. I also think that they have to make you feel good, ideally, and make you feel warm inside at the end.
I'm from the punk generation, but I make romantic, soft soul music. I like the bizarre disconnect of that but, clearly, some people don't.
People have sort of a problem trying to see an end to a situation as being positive or romantic.
Well, in fact if you look at the Trump voters, you take a look at their attitudes it's not all that different. In some respects they're similar. They're an older version of the Sanders people. So a lot of it is racist and you have that sort of thing, but if you look at their views on say health, education, and so on, it's kind of the same as Sanders.
I think he was trying to produce more of a... sort of a cheaper image.
The world is so caught up in the 'American Idol' idealistic sort of tendency in regards to just thinking that this whole thing is what everybody wants, but it doesn't help you make a better record.
I think for me, what I'm doing on set is I'm watching things happen as an audience member and trying to just look at, what's the image we're photographing, how will that advance the story and what will the next image be.
I don't take my image seriously. I make fun of the fact that some people think I'm a romantic figure.
When you're playing a romantic version of a real person, you're playing a version of the truth.
It is you who are choosing, in any moment, to be happy or choosing to be sad, or choosing to be angry, or forgiving, or enlightened, or whatever. You are choosing.
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