A Quote by Marty Stuart

When I was 12 years old I discovered Bill Monroe and my dad got me a mandolin. — © Marty Stuart
When I was 12 years old I discovered Bill Monroe and my dad got me a mandolin.
Mike Compton knows more about Bill Monroe style mandolin than the Father of Bluegrass himself.
I got into comics about the same time as music. By 12 years old, I had discovered my dad's killer comic book collection filled with Silver Age books from his youth...early Spider-Man, Thor, Fantastic Four, The Hulk, Detective Comics, Action Comics, you name it. Seeing those old books got me interested in new comics, so my friends and I would hit the local comic shop every Saturday to pick up the cool titles of my generation.
I haven't changed my views much since I was about 12, really, I've just got a 12-year-old mentality.When I was in school I had a brother who was into Kerouac and he gave me On The Road to read when I was 12 years old. That's still been a big influence.
When I was 12 years old, my dad got into country music. My first CD was Wynonna Judd, and I loved it.
I got my first instrument for Christmas when I was three or four years old. My parents got me a mandolin because it was the only instrument that would fit me because I was so small. I went straight from that into the drums when I was six, and then I started playing guitar when I was seven or eight.
I got my first instrument at Christmas when I was three or four. My dad and mom got me a mandolin. It was the only instrument that fit me because I was so small. I went straight from that into drums when I was six and then started playing guitar when I was seven or eight.
I was raised on Elvis Presley and Buddy Holly and discovered the Stray Cats when I was 11 or 12 years old.
When the album 'Duke' came out, by Genesis, Phil Collins beat Dad in a drummers poll. My dad got me to learn 'Turn It On Again' by Genesis. I'd play it, and he'd go, 'Do it again,' until I got it right. I'd play it until I nailed it, and then he went, 'I don't see what the big deal is. My 12-year-old son could play that song.'
I love Don Williams records. And old Ralph Stanley and Bill Monroe.
I got a horse when I was eight or 10 years old. And dad used to take me to the rodeo back home. I got into it big time.
I was 12 or 13 years old. So I started to write poetry and fiction, even though I was really into biology because my dad was a science teacher. I kept writing all those years.
I've been a vegetarian since I was about 12 years old. When I became a vegetarian, I got my mom and dad to become vegetarian, and my brother became a vegetarian.
When I was about 12 years old back in Houston, my Dad used to take us to the driving range.
When I was 12 years old, I met Bushwick Bill at the Houston Airport. He was by himself and with a whole, big ole thing of luggage - about 10 people worth of luggage. He was just sitting there by himself, asleep, knocked out at about noon or one in the afternoon. Me not knowing no better, I walk up to him, wake him up like, 'Man, you Bushwick Bill?'
I was raised in bars. My grandmother had one, and when I was 12 years old I'd go stay with her and that's where I got to watch her band play -- she had a seven or eight-piece band, and I would sit in the kitchen and peek through the door. I was kind of a 12-year-old bottle washer.
When I discovered blues - I was 12-years-old - I didn't discover it in America where it was from; I discovered it from Fleetwood Mac - the original Peter Green Fleetwood Mac, Saveloy Brown - like British blues interpretations of it,' which then, when I started the liner notes and seeing all these names, I was like, 'Who's Willie Dixon?' Then I go to the record store and ask the guy there and he goes, 'Oh, you don't know anything.' And so, to me, that's the root of most of it anyway.
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