A Quote by Marty Stuart
There's something cool about playing 'Tempted' and then picking up the mandolin and playing 'Dark as a Dungeon' and standing on the classics. It's nice to just let soul rule.
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If you feel guilty about not "playing nice," then you could easily alleviate your guilt by playing nice.
I know my dad would have loved me to have played rugby. He was a No. 8. I started off playing centre and ended up playing at the back of the scrum, No. 8 as well, just picking it up and running with it.
I had a ukulele when I was about seven. Then I started playing around with the mandolin and the banjo.
You're just playing, playing, playing, and then an image or something will come into your mind, and basically you're just narrating it with music, letting it move along.
Playing is just about feeling. Playing isn't necessarily about misery. Playing isn't necessarily about happiness. But it's just about letting yourself feel all those things that you have already on the inside of you, but you're all the time trying to push them aside because they don't make for polite conversation or something.
I really like playing with Mike Doughty from Soul Coughing. He was cool. He opened up some shows for us. I liked playing with G. Love, he's amazing. God Damn, it was like the best live I had ever seen.
Some rules are good. For example, off the top of my head, let's say a stand-up comedian or a talk show host wearing a nice suit - as a ponderer, I grew up like, "Why don't they just go up there in their army jacket? They're fine!" Then little by little, you think, "You know, it's kind of nice to look nice, like you made the effort." Then you're back at rule one; that was the original rule.
At the age of nine, playing the violin at school, and then onto the mandolin.
One night around that time, at Hammersmith, Bob Dylan was about to go into [his 1963 classic] 'Don't Think Twice, It's Alright.He said, 'Hey, Bucky! Play mandolin on this.' I am not really a mandolin player; I could only play in certain keys. Halfway through, he stops the band, turns to the audience and points to me. He says: 'He isn't playing, he's miming.' And then: 'Should I fire him?' The whole audience yells.
It was fun playing a horrible, snotty kid in 'Harry Potter', and then playing Prince Charming where I was also singing and playing guitar, and then playing a completely different character.
Playing what Hollywood determines is a hero, it immediately sets actors up to feel like they just can't explore the dark parts of themselves - the character has to be likeable, has to be fuckable, has to be redemptive on all fronts. When you're playing a character that's just inherently destructive or messed up, you're given this beautiful permission to try things. There's a license to fail.
My dad plays the fiddle. He stopped playing for years. He was playing when I was a baby, and then he stopped for about five years, or ten years, he says. Then all of a sudden he started playing again, and we all got interested. We started having people like Ciarán Tourish coming up to the house, and Dinny McLaughlin, who taught Ciarán, and who taught myself as well. And it just grew from that
I think that's the cool thing about playing at home is your fans are going to come out, and then it's up to you.
I think the best roles are in dark movies. It's roles that aren't you. It's fun playing someone that's not me. If I'm playing me all the time, then it's not acting. It's just being yourself.
I never expected that I would be somebody. I just started playing and when I was 12, 13, thought: 'Wow, I'm playing good.' Then Dinamo Zagreb were speaking about signing me, I thought: 'Hmm, maybe I can achieve something.'
I would love to just continue playing characters that break the mold. I like making interesting decisions when playing characters, so, taking something that would seem one way and then playing it a different way.
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