A Quote by Mary Augusta Ward
How little those who are schoolgirls of today can realize what it was to be a schoolgirl in the fifties or the early sixties of the last century!
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Back in those days, in the fifties and sixties, countries had balance of payment's deficits or surpluses, those were reflected much more than today in movements of reserves among countries.
This might be one way to start talking about differences between the early postmodern writers of the fifties and sixties and their contemporary descendants.
In the late Fifties and early Sixties, I used to think that most of these fashion creators weren't that great, and if the photograph was good, it was mostly thanks to the photographer.
The great triumph of the Sixties was to dramatize just how arbitrary and constructed the seeming normality of the Fifties had been. We rose up from our maple-wood twin beds and fell onto the great squishy, heated water bed of the Sixties.
We wanted to more richly experience why we were alive, not just make a better life, and so people went in search of things. The great thing that came from those that time was to realize that there was definitely more to life than the materialism of the late sixties and early sixties. We were going in search of something deeper.
Sometimes at lectures I am asked: how would the champions of the last century play today? I think that, after making a hurried study of modern openings, and watching one or two tournaments, the champions of the last century, and indeed the century before that, would very quickly occupy the same place that they occupied when they were alive.
I grew up in the Fifties and Sixties and remember how unpleasant all kinds of food could be then.
Well, I actually grew up in the sixties. I feel very lucky, actually, that that was my slice of time that I was dealt. Let's remember that the real motivation in the sixties, and even in the fifties, was the Cold War.
People of my generation who became photographers in the late fifties, early sixties, there were no rewards in photography. There were no museum shows. Maybe MOMA would show something, or Chicago. There were no galleries. Nobody bought photographs.
What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution. I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. 'The Dreamers' was a total homage to cinema and that love for it.
In the late Fifties and early Sixties, opposition to state terror and aggression and torture and so on was zero. That was a horrible time: the massive Kennedy terror operation against Cuba, the first attacks on Vietnam in 1962, the imposition of national security states in South America.
In Destroyer of the gods I focus on several major features of early Christianity that made it distinctive, even odd or bizarre .We don't today realize just how different early Christianity was in that context.
I grew up in the Fifties and early Sixties, which were still quite conservative, and I wasn't given any information about sex or anything like that... I went out with girls at school because one had to. I didn't experiment with sex for quite a long time.
I suddenly became aware over the last couple of years that I'm in my sixties. I never thought about it. I thought I'd better start acting my age or find roles that are going to be interesting to me in the sexagenarian repertoire, because it's not what you do in your forties or fifties.
I think making movie is kind of like getting fat people to walk 20 miles. If you just do it 100 yards at a time, and nobody knows how far they are going, they can do it!I would include myself in those fat people! You do this little by little and you don't realize your potential, or you don't realize how really rich, and how far you can go.
In the past 20 years alone, it adds up to more death than were caused by all the civil and international wars adn government repression of the entire twentieth century, the century of Hitler and Stalin. How much would we give to prevent those horrors? Yet how little are we doing to prevent today's even larger toll and all the misery that it involves? I believe that if you read this book to the end, and look honestly and carefully at our situation, assessing both the facts and the ethical arguments, you will agree that we must act.
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