A Quote by Mary Elizabeth Ellis
It's nice to always have a job and not be floating out in the ether waiting for whatever the next big thing is. So, in that way I hope there's no a shelf-life for great shows. On the other hand, you don't want to be working on something that's reached its peak and become irrelevant.
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I hope I'm the next big thing. We'll just have to wait and see, I guess. I'm sure there are a lot of other 'next big things' coming up. I hope I can stand out as that guy.
Once I get on something, once I have something that I'm working on, then I become very obsessive. In a good way. I mean,... is there a positive way to say obsessive? It's a good thing and if you're out there and you're working on something right now and you're crazed and you're up in the middle of the night, or you can't stop thinking about it, or you have to keep reading other things about the subject that you're working on or whatever. That's good and I think that's necessary creatively.
Sometimes when you've reached a peak experience, you look for other peak experiences... I'd always been interested in art. I was looking for other experiences outside of sports. Art was a form of expression I had always liked a great deal.
I was always searching, always seeking the next big thing, because that was the thing that was going to make everything all right again. And while I was working toward it, it gave me something to think about other than that thing I couldn't put my finger on. But it always came back.
If the idea is you're working at a job solely to pay the bills because you have ambitions to do something else, if you're not actively trying to do that other thing, you've gotta make sure you're doing that. Sometimes you've gotta take away your own safety net. But if you feel miserable in a day job, in any job, get out of that. Look for something else. Stay in that job until you have the other thing set up, and then go to that other thing. But sometimes you've just got to jump out with a parachute and trust that you're going to land someplace safe.
I'm one of the great unemployed looking for the next job. I'm waiting for the right offer. Like anyone, I want something that turns me on inside.
I don't even know what I'm looking for, although I hope I'll know it if I find it along the way. Sometimes I want to simplify my life into a simple bare thing. And other times I want to complicate it so thoroughly that everything I touch will become bound in some way to me. I've become quite aware of my contradictions, but there's no true resolution in that.
The only argument this president needs to persuade Americans is that sacking Saddam is necessary for the security of America and the West, of civilization as we know it. All those other goals are nice, worthy even, but irrelevant to the job immediately at hand.
Acting is so much about waiting... waiting for an audition, waiting for the right part to come along. It's nice to write your own thing, write about what you're feeling and then go out and perform them. It's a nice thing to have and not get bored.
„Everyone wants to believe that there’s something else – something great – waiting for them on the other side. Paradise. Valhalla. Heaven. Their next – hopefully less horrible – life.
The working class of England today have no vision of society beyond the acquisitive - no version of themselves or their habits as anything other than transitional, on their way up or on their way out. The working class, at best, is a waiting room for people who aim to become middle class if possible.
But it is nice to know that you have other races lined up, because sometimes you can get so focused on your next marathon that it can become kind of unhealthy in some ways. So it's nice to have something else to slap you in the face and say, all right, there is life after the Olympics.
Editorial pages all say, 'Well, the other guy has a point, too. It remains to be seen how this will come out. We certainly hope it comes out fine; blah, blah.' Cartoonists don't go that way. Our job is to stick out our tongues, to show a big raspberry to whatever pompous jerk happens to be mouthing off.
When you're working in service to a big project, there's always the question of, 'Is there total freedom to do what I think is right artistically, or is this a job?' It's okay for things to be a job. I'm perfectly comfortable working. I don't need to sit around and quench whatever personal artistic thirst I have at all times.
A lot of the records you buy, there's nothing you can hold in your hand, it's all 1?s and 0?s, this digital cloud floating in the ether, but with analog albums, you can hold it in your hand.
A lot of the records you buy, there's nothing you can hold in your hand, it's all 1's and 0's, this digital cloud floating in the ether. but with analog albums, you can hold it in your hand.
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