A Quote by Mary Elizabeth Winstead
I was kind of embarrassed by some of the films I had done. I was like, "Oh, they're going to think I don't have street cred."
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When we signed with Warner Bros., they knew what they were getting. They knew they weren't going to get some easily manipulated prepackaged pop group. That was not going to happen. What they wanted, I think, was the integrity that we had to offer. What they wanted was the kind of street cred or cache that R.E.M. could bring to them and the chance that we would give them a hit or two. What happened was we gave them a bunch of hits. And we became huge.
I have six brothers, and in the past I've done quite a few girlie films, like 'Wild Child' and 'Angus, Thongs and Perfect Snogging' - so when they've been to those, they've been incredibly embarrassed. They won't be embarrassed going to see 'Black Death' - I reckon they're going to love it.
You can't please everyone. Just because I don't behave a certain way, some folks will say you don't have any street cred. I've pretty much had to put up with that since I was a little kid, just because I was raised to communicate in a certain fashion. Some people didn't like it.
(Human) beings, in Pagan times would kind of like, listen to the stories and, they could kind of, identify - . They were, like, bigger than them and more successful than them or more beautiful, but they had these human fallibilities. Which is like celebrities now. It's like, 'oh, she's in rehab. Oh, she's unfaithful. Oh, they're divorced. Oh, she's anorexic. Oh, he's had a nose job.' You know, whatever it might be.
I think it's kind of odd that 'This Old Road' was the first video I ever did. Because of all of the work I had done in films and everything, you'd think I would have done a video before that.
A company that was I think the one I learned the most from in Wall Street 2, just in terms of my own character in and the kind of firm he worked in, was John Thomas Financial. There it's like warriors in an arena getting ready for battle. Thomas Belesis just fires these guys up like there is no tomorrow, and I absolutely got addicted to that optimism and adrenaline and that "We're going to do it, we're going to do it, buddy" kind of attitude that he had.
I've done some things I'm embarrassed about, and I like to tell people about them so that maybe they feel less embarrassed or alone when they do something they're unsure about.
As an actor I get opportunities to do different kind of films. It's not that if I have done a few comedies, I'm averse to other roles or genres. It's just that I go for the films I like and incidentally some of them have been comedies.
I come up with new ambitions all the time - and the coolest thing is, I think of something I want to do, and I don't really imagine it as "Oh, I've never done that." I think of it as, "Oh, I haven't done that yet." I literally believe I'm going to do everything I set out to do, which is a pretty amazing feeling.
I've always wanted to do a video of me following a girl down the street. Michael Jackson's done it. Omarion's done it. All these male pop artists have followed women down streets in videos - it's kind of the classic thing. And I was like, there is no video of a girl following a girl down the street. I need to do this at some point in my life.
I'm a child of the Cold War. You do not say, "Oh, my God, there are Russian planes, so I'm going to cede the field." I mean, what kind of world would we have had if the United States had done that for 60 years?
I've done my "mind over matter" movies, and I think probably that people aren't really interested in seeing me do that anymore. I think I'm kind of past my prime to do dramatic films. I think it'd become kind of like almost a pathetic cry out to be recognized as a serious drama actor.
There's a kind of edge to what you're doing, the kind of leading edge of what you're doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. "I've pulled that one out before. Oh, no, I can't I'm just fed up with that. Let's do something else."And you always think "Oh my God I've never done anything at all like that before." But, of course, in retrospect, and to an outsider, they'll say, "Oh, yeah that's typical Eno.
There's a thing I really mind hearing, when someone says: "That's not my kind of film, I don't want to go and see that..." I don't believe that, I don't believe that it's possible to write off a whole genre of filmmaking - "oh I don't like subtitled films", or "I don't like black and white films", or I don't like films made before or after, a certain date" - I don't believe that.
Murphy had found a spot on the street, which made me wonder if she didn't have some kind of magical talent after all. Only some kind of precognitive ESP could have gotten us a parking space on the street, in the shadow of a building, with both of us in sight of the apartment building's entrance.
One of the things that I love when I go to a film or when I'm reading some book or whatever, is to be told a secret I thought only I knew and then someone says, "Oh my gosh, you know, too." And film can take us into private moments in a way that the theater, I think, kind of can't, and that's one of the reasons I like doing films. And the way a book can is that these little secrets and the private things that go on in our minds that maybe we haven't shared with anyone, and then someone writes it or shows it to you in a film, you think, "Oh, that's me. Oh my God, that's me, I have that secret."
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