A Quote by Mary Ruefle

Poetry is sentimental to begin with. To write a sentimental poem is an act of redundancy. — © Mary Ruefle
Poetry is sentimental to begin with. To write a sentimental poem is an act of redundancy.
I don't think my writing is sentimental, although it is a very sentimental thing to be a human being.
I always say that I don't want to be sentimental, that the photographs shouldn't be sentimental, and yet, I am conscious of my sentimentality.
My father was a deeply sentimental man. And like all sentimental men, he was also very cruel.
There is definitely a nostalgia, and I am very sentimental, so I don't begrudge people for having sentimental feelings towards vinyl.
What's wrong with sentimental? Sentimental means you like stuff.
New York is at once cosmopolitan and parochial, a compendium of sentimental certainties. It is in fact the most sentimental of the world's great cities - in its self-congratulation a kind of San Francisco of the East.
I think jewelry is beautiful on all women and I think it's sentimental - and Disney is sentimental. It's subtle and it's low-key and it's just a sweet reminder of sweetness.
I was lucky to be born during the time of minimalism. I think I can be colder because of this. In form I speak with minimalism but my feeling is sentimental - I am a sentimental minimalist.
I will gradually drop this subject of graveyards. I have been trying all I could to get down to the sentimental part of it, but I cannot accomplish it. I think there is no genuinely sentimental part to it. It is all grotesque, ghastly, horrible.
Nobody's favorite movie is some dark, dysfunctional slasher story. Everybody's favorite song is a sentimental song. So why all of a sudden is it bad to be sentimental in books?
O-o-old habits die hard when you got, when you got a sentimental heart Piece of the puzzle, you're my missing part Oh what can you do with a sentimental heart?
The Future is distant, like the Past, and therefore sentimental. The mere element "Past" must be retained to sponge up and absorb our melancholy. Everything absent, remote, requiring projection in the veiled weakness of the mind, is sentimental.
Sentimental poetry differs from naive poetry in that it relates the real state at which the latter stops to ideas and applies ideas to that reality.
In my work, and in my psyche, there's some very sentimental, traditional, conventional side that's always in argument with a more radical, sarcastic side. Some of my stories are really sentimental, but they're layered over with weird, satirical stuff.
I'm a little hesitant to make my characters sentimental or to risk having the work labeled sentimental. It's something that I resist as a reader, and I don't resist it in life. I'm not an unmoved person by any stretch, but I think I don't want, I guess, to indulge those kinds of things sometimes in fiction. I can't tell you why exactly.
Often when I write poetry I don't quite know what I'm saying myself. I mean, I can't restate the poem. The meaning of the poem is the poem.
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