A Quote by Matt Besser
Instead of improvisers who want to be funny by themselves, we aim to try and make the scene itself as funny as possible. As a creator, I think that's someone you'd rather work with, whether it's a movie or a sitcom; that kind of methodology is good for collaboration. People want to be with those kinds of performers.
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What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
I think if you have a funny thought, and you want to get off a funny point, try to do it as realistically as you can. If you try to act it funny and accent the funny points, or do it in a funny style, you kind of lose it.
What people really want is not to make something funny, but to make something amusing - which, in many ways, is the opposite of funny. To amuse someone is to eliminate discomfort and awkwardness, kind of like a massage for the brain, while to be funny is to point out awkwardness and discomfort. Everyone thinks they want funny, but they really want amusement.
Someone trying to be funny probably isn't as funny as someone who doesn't want to be funny but is and can't help it. Someone being serious or angry might be funny. If you get angry, the first thing I want to do is laugh because I don't know why you're getting that angry. Pathos makes me laugh, funerals make me laugh.
The big problem for comic art is you don't want to overwork it. If a drawing is overworked it isn't funny. It's the spontaneity that keeps a work fresh and funny. If they can see how hard you work, if they can see the beads of sweat, it's no good. I always try to make it look easy.
Whether you're old or young or white or black or however, funny is funny, and people want to see those videos.
I want to be funny. When I first started writing, I didn't find my stories funny, but people kept saying they were. It kind of worried me; these are some pretty disturbing and sad pieces. Why do people think they're funny?
I just hate the whole idea of labeling anything as a comedy. If you tell me something's funny, I'll want to rebel against it. When I go to a bookstore and see books categorized as humor, I get furious. Don't tell me that a book is funny. Let me decide if it's funny. It's the same with sitcoms. You call something a sitcom and people expect it to be funny. And that ruins everything.
But I think once the word gets out that the movie is funny - funny is transcendent - it will traverse all demographic barriers if people embrace it as a funny movie.
Why do all these people want [comedians] to be serious? The reason they want that is these are people who aren't funny. Anybody funny can be serious, but people who have no sense of humor, they can never be funny - and frankly, they're jealous. There's very few comic actors. Think about it. There aren't that many. It's hard because you have to be able to do both.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
Writing is such lonely work that I try to keep myself cheered up. If something strikes me as funny in the act of writing, I throw it in just to amuse myself. If I think it's funny I assume a few other people will find it funny, and that seems to me to be a good day's work.
I don't really think differently of making a movie for grownups or making a movie for kids, if it's boring it's boring, so you want it to be entertaining and I think funny is funny whether it's for kids or grownups, the only real difference is language.
Just be funny. Funny always goes over well, so try to think of something funny to break the ice rather than being weird or using pickup lines.
I think I knew I was funny in Elementary School. I think most funny people realize it when they're young. It tends to come out of stress or trauma - something that makes you want to be funny.
I think when you go in, with film or television, you want to tell this narrative. And with 'Joshy,' you want it to be grounded with moments - it's not like, 'Everyone be as funny as you can, quickly, at all times!' It's not like that. You have to pick the right improvisers.
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