A Quote by Matt Bomer
For every role, I brought certain elements of the character. Even on White Collar over six years, I tried to keep the set fun and breezy and Howard Hawks-y and very of the tone of the show.
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For every role, I brought certain elements of the character. Even on 'White Collar' over six years, I tried to keep the set fun and breezy and Howard Hawks-y and very of the tone of the show.
Well, I think tone is very important with this show [Masters of Sex] because there are certain elements or certain aspects to the show that may be reminiscent of other shows. But, it really is a very new kind of show, in terms of the subject matter and the way it's being dealt with, and the fact that it's about real people and real events.
My first show was called 'I Know I've Been Changed' in '92. I tried to do this show for years and years. It kept failing over and over and over again. Every time I went out to do the show, nobody showed up. I was like, 'What is this about?'
I knew that we had an obligation and that was to keep an energy in it and try to keep the audience interested. In fact, I asked some of the actors to take a look at His Girl Friday, a Howard Hawks film with Rosalind Russell and Cary Grant, because they talk over each other and there's a great energy.
The flaw in our character is our insistence on separating blue-collar jobs from white-collar jobs, and encouraging one form of education over another.
I have tried to be a leader. I have tried in my role of being one of the first women at Google, let alone the first woman to have a baby, to really try to set the tone that this is a great place to work for diversity reasons.
You should be watching 'White Collar' because it's a fun, intelligent procedural infused with a lot of great character writing by Jeff Eastin.
This idea of 'New Collar' says for the jobs of the future here, there are many in technology that can be done without a four-year college degree and, therefore, 'New Collar' not 'Blue Collar,' 'White Collar.' It's 'New Collar.'
I am happy with my role in 'Taxiwala.' It gave me a chance to do a character that was fun. I didn't have to agonize over every scene.
The old rule in Massachusetts politics is shape of the field determines the winner. If you have got a whole bunch of hawks, all the way from [Mike] Huckabee all the way across to [Chris]Christie, that covers the spectrum on every other issue, all hawks, all hawks, and one guy out there saying, not me, Jimmy Carter won that way back in `76. I know it`s 1,000 years ago.
When you're a child, and you're growing up, and you're mimicking a certain character, or you're trying to live and breathe a certain character on set for eight years that are also your formative years, you oftentimes take a lot of who you're playing into your real life and kind of become that thing.
When you host a show you have to hopefully be funny at the top and set the tone for a really fun evening.
On the geometric level, we see certain physical elements repeated endlessly, combined in an almost endless variety of combinations. It is puzzling to realize that the elements, which seem like elementary building blocks, keep varying, and are different every time that they occur. If the elements are different every time that they occur, evidently then, it cannot be the elements themselves which are repeating in a building or town; these so-called elements cannot be the ultimate "atomic" constituents of space.
I love every aspect of the show. I've been very involved. It was important for me to be very involved in, you know, all of the creative elements. And so, you know, it - David, you know, being brought onto the show, you know, that - I always just wanted to make sure that we maintained the sophistication and intelligence of (the) - and the comedy that we were able to establish in the mini-series.
Amiri Baraka went to Howard. Lucille Clifton went to Howard. Ossie Davis went to Howard. And I was aware of that when I was there. Charles Drew went to Howard. Thurgood Marshall went to the law school. Being aware of that and having all of that brought to bear, again, it's one of those things that I can't really separate from my career as a writer.
Four years in the White House and two presidential campaigns is an awful long time. In politics, every year in the White House is like dog years, six years off your life.
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