A Quote by Matt Squire

I like working in all different mediums so I'm truly lucky to be able to flip back and forth. — © Matt Squire
I like working in all different mediums so I'm truly lucky to be able to flip back and forth.
The flight back and forth to LA has just started to feel like a commute, I think because all the jobs are jobs that I love doing so much, and it's such a great challenge to be holding on to all these different parts and to have to be in different mediums.
Collaboration is such a thrill when you're working with someone you really respect. When it's just one person working alone you get a singular view of their world, and that can be great, too. But when you have different people working together with different aesthetics, different techniques, and different mediums, you get something bigger than both of them.
You gain and lose different things in different mediums or different sectors of different mediums. There are liberties you get on tiny indie films in terms of not having to be designed toward a marketing demographic.
I've been lucky enough to sort of go over different mediums, different vibes and genres.
I usually have more than one thing I'm working on at once - I've been working on three different novels. When I get stuck on one, I hop back and forth.
For me, something that's been always really important to me, that's also really served me well in hindsight, is doing different things, trying to cross different genres, and dipping my toes into comedy and drama and action here and there. Fortunately, as I've been working, the industry has also changed where you're able to dip your toes into different mediums, where it's not just independent film and studio film, but now you've got TV, and you're able to do all these different things. For me, it's just a matter of continually pushing myself and challenging myself.
The stage and working in front of a camera are two completely different mediums. Each requires different techniques.
All my life, I've been working with male directors, which I've really enjoyed. And I'm lucky in that I've worked with men who have a lot of respect for women. But working with a woman is a different experience. It feels like the communication is different.
Because I was new to comics, I didn't know what to expect! However, I really like working collaboratively [on Dark Tower series], since I feel that - with so many different imaginations working together - the final product is so much richer. I also feel incredibly lucky to be able to work with such an accomplished and experienced team.
The dream as an actor is being able to bounce back and forth between different things.
Film is a collection of many mediums and collaboration and you're only as strong as the people you're working with - and everybody owns their mediums.
I'm just trying the American dream. To work here in the U.S., you have to commit and be here. For many years, it was back and forth, back and forth, and it didn't work. But I'm always open to working in Spanish.
I just feel like it's so amazing every few years when I'm not making a film to act and basically go back to film school and just watch other filmmakers work and try to be a part of somebody else's vision. So I feel like you do use two very different parts of your brain, and it's great to be able to jump back and forth.
I like working in small teams where people on the team have very different skills than what I have and that banter back and forth, and the ability to build something collectively that none of you could do individually is actually a really useful and valuable thing.
If I had my druthers, I would be working in all different mediums, forever.
One of the core reasons for creating 'Station to Station' was to provide a space for exploration and cultural friction between different mediums. It should be natural for mediums like music, film and art to cross over, and we wanted to empower that process.
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