A Quote by Matt Nagy

If it's a good play, don't get too high. Make a good play, follow it up, and then if it's a bad play, if there's a mistake or there's something wrong, don't worry about it.
Good or bad day, or good play or bad play, or whatever it is. You have a chance to get back up and begin again, It's something that's really stuck with me.
We don’t have to do a bunch of things to figure out how to win the Ryder Cup. Just go play golf. ... I’m a little bit too casual probably about a lot of things, but you can’t force good play. Good play comes from good hard work and actually being prepared to play, not being forced to play.
A good play is a play which when acted upon the boards make an audience interested and pleased. A play that fails in this is a bad play.
First, you have to play good football so that you get to play for a good team. Then, hopefully, you achieve such a level that you are invited to play for your national side, in time for a World Cup if possible. Then, obviously, play a good World Cup. That's my dream.
Number four, we're going to play like winners, play the game the way it's meant to be played. Don't get full of yourself if something good happens. Don't get too depressed when something bad happens.
Number four, we're going to play like winners, play the game the way it's meant to be played. Don't get full of yourself if something good happens. Don't get too depressed when something bad happens.
I always love to do more. Whatever opportunity I get to make a play I'll make the most of my skills. To score touchdowns, to have energy, to light my team up, to get everyone riled up, to continue to go on the field and play at a high level. I just try to set the tempo, playing at a high level and everyone else can follow.
When I play bad, I don't get too down on myself. When I play good, I don't get too hot.
If you want to be a rock star or just be famous, then run down the street naked, you'll make the news or something. But if you want music to be your livelihood, then play, play, play and play! And eventually you'll get to where you want to be.
I used to play for PSV. I was like, 'If I play for PSV, it's good. My dream is to play here. I love PSV as the club too. And then play for Santos.'
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
I'm not saying that what the radio plays isn't good. My issue is with what they don't play. You can play Jay-Z, but why don't you play Jurassic 5? You can play Nas and Nelly, but why don't you play J-Live? I want to open up the door to how it was back in the day.
I always like playing the bad guys. They have more fun! I want a director to come up to me and say, "You can't get too weird!" That's a good thing. I loved hearing that. Let me play. I like to play around.
I wanted to play a good guy after doing this lunatic on The Sopranos for two years. And then they did the sequel to Bad Boys, where I get to play the barking captain again.
When I see one of my teammates make a good play, to keep that energy going, I feel like that's what I do on the defensive end, and then make a good offensive play.
A good play is a good play. If you want to chalk up your rejection letters to the fact that you're a woman, that's your choice. But often you get a rejection letter because your play isn't ready. Or the time isn't ready for your play. And that has nothing to do with gender.
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