A Quote by Matthew James Thomas
When you get into a production, there are a lot of things you have to hit to make the show work - like my cues or a cue for another person or making sure you don't mess up the beat, and you can let all of that get in the way.
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The tip I would give is that once you play the shot, make sure your chin is touching the cue after you hit the cue ball.
Two people making a beat is really like one person making a beat. But you have another person's brain. So what might sound good to you, they could flip it a different way. It's really a collaborative effort, really.
You love the game, but it's hard to do the things you do when you're feeling like you're a leg down all the time, literally. Or you're always beat up, even coming into the season. So it's just not as fun when you're down, and you got to work your way up. And you can't really get there because you're so beat up.
You get to use everything you learned in movie business. You talk to actors, if you do it right - and I haven't always done it right - you should be shaping the material all the time. And the other thing is, you get all the blame when you direct and it doesn't work. You get slammed. So that's another reason to know what you're making, why you're making it, and make it the way you want.
That arrogance of youth and that kind of ignorant confidence can get you through a whole lot of things, and then life does its stuff, and you get smashed around and beaten up. You get full of doubts, and you end up making a person out of those bits and pieces.
When you're guest-starring on another show, it really requires you to jump through hoops in a way, because you're servicing the stories of the main characters. You have to be able to portray a lot of different elements. You show up and get on board and get on their journey; you have to be flexible as to what they need for the role.
I think the beauty of the film industry is that if another person tries to become another person or act like another person or imitate another person, they don't really get too far. When that person starts to realize who they are and what they can bring to the table, they start to blossom and grow. With that, it's not so much me looking towards my predecessors who have paved the way in the industry - it's more getting inspired. I get little bits and pieces of what I can take from any and everybody.
Barack Obama today is directing every federal agency to make sure we evaluate candidates on the level without regard to their employment history. So if you are a rotten employee, if you don't show up on time, if you don't get any work done, that cannot be examined as whether or not it makes sense to hire you. What we're gonna do is make sure that we only hire people who have been out of work the longest, because that's fair, regardless their work history, regardless whether they're qualified, this is Obama making it equal.
My dream match is me and Chris Benoit against Fit Finlay and William Regal. That way I get to work with Benoit and I get to beat up and get beat up by Finlay and Regal.
Perfectionism means that you try desperately not to leave so much mess to clean up. But clutter and mess show us that life is being lived. Clutter is wonderfully fertile ground - you can still discover new treasures under all those piles, clean things up, edit things out, fix things, get a grip. Tidiness suggests that something is as good as it's going to get. Tidiness makes me think of held breath, of suspended animation, while writing needs to breathe and move.
I only ever get to work with Naito once a year. I'd love to wrestle him again. Yeah, he's good, for sure. The person I've never worked before in a New Japan ring - and I'd be happy to get the chance and show the difference of styles - is Zack Sabre, Jr., so that'd be another one. Yeah, he's one of my favorites.
A few Disney TV composers had me pinch-hit writing some scoring cues to picture. Disney tapped me to be the composer for the underscore and song producer for this new show called "Phineas and Ferb."There is nothing like a successful animated show to get your chops up. You have to do every style - action, adventure, romantic, suspense, spy, poignant, rock, funk, big band - delivered on a deadline.
Of course you lose track of where you are sometimes, as you finish a show and ride in a tour bus from anywhere from 3 -12 hours and wake up in another city, and check into a hotel. So, I woke up after a few hours, packed all my stuff up and headed for the bus to depart for that day's show. I get to the lobby and our production person looked at me and said, "where are you headed?" - It was a day off!
I have to be able to stick to very dedicated times to work on things, do exactly as I say I'm going to do, show up when I say I'm going to show up and focus that's the only way I've been able to pull off everything last year but I'm hoping I'll never have to do that again, it's a hell of a lot of work that's for sure.
I'm a Type A person who doesn't want to get stuck in any one type of workout. I need a variety of things to stay interested, and that way, you make sure you get the most out of yourself.
After I get dolled up and lay down some records and my voice is out, I want to get away and get my back blown out for like a week. Mess up the hair and make-up that I got done. I have been in prison for a while.
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