A Quote by Matthew Perry

My favorite actor was, is, Michael Keaton. Certainly growing up, in the movie 'Night Shift' he did something brand new that I hadn't seen before that we all steal from now. And then it was in 1987 he did the movie 'Clean and Sober' and 'Beetlejuice' in the same year, and that was when I said, 'Wow, that's what I want to do.'
John Logan was kind of wrapping up - "Well, thanks for coming in..." - and I thought, "Oh, God, this is over and I'm out of here, and I really don't want to leave."So I said, "Can I ask you a question?" He said, "Sure." "What movie do you think you've seen more than any other movie?" And he said, "Wow, let me think about that. I guess probably The Searchers." And I said, "Well, oddly, that's the movie I've seen more than any other movie." And I wasn't just BS-ing. It's true. It's my favorite movie.
My favorite commercial I did was my Verizon campaign, which I filmed a series of three commercials. My favorite movie I have done was 'House Under Siege' because it was my very first movie at 5 years old. My favorite TV show I have filmed was 'The Night Shift,' which is one of my favorite shows.
Even when I did my Broadway show, I did 15 minutes no one had seen before, because that was the night that Michael Jackson protested about Al Sharpton bailing on him. I said, "Wow, if that man bails on you, this must be really a lost cause."
When I did 'Mimic,' it was such a difficult experience to try to make. Believe it or not, I did try to make a really adult giant bug movie. And then, in the course of the process, it kind of died a horrible death and gave birth to the movie that exists now, which now, in retrospect, I like. But it's not the movie I set out to do.
That first movie I did, Lucas [1986], was probably the closest to me. And Beetlejuice a little bit, in the sense that I did look like that. All they did was like put a little white powder here.
My first-ever job in the movie business, I was an art student at Carnegie Mellon, and they were shooting the movie 'Gung Ho' in Pittsburgh, and I worked as an extra for a few days. Michael Keaton bumped into me in one scene, and it's in the movie. And I worshipped him.
I was staying on [writer/director/actor] Eric Schaeffer's couch in New York, and he said, "I've got this movie [If Lucy Fell]. Can you do five days on it?" And I was like, "Yeah, anything. Twenty-four hours times five is 120 hours. Oh, great, I'll fill 120 hours of my life with something." So I did that and it was fun, and then I did Flirting with Disaster.
I did a Christmas movie where I played Mrs. Claus because my children's favorite movie of all time was a Christmas movie that my father did in which he played Santa, and I was like, 'How often do they make a movie about Mrs. Claus?' and, 'My kids will love this.'
Production wants a miracle on every movie. They want us to do something new and amazing - but then they give you a 55-year-old actor with sciatica who doesn't want to train.
At that point, I thought probably special effects, something like that, and indeed, the early days when I was working with my dad, after I left school, I only went to less than one year of college, and then I was transferring, and then I delayed my transfer, and I did a movie, and then another movie, and then I never finished college.
We spent six weeks there [in Vegas]. The only thing crazy that I did was shoot that movie [The Hangovers]. The stuff in that movie is way crazier than anything I might have done, drunk one night in Vegas. I mean we did it for real in the movie, so that's as crazy as it got.
I love Michael Keaton. I think he's awesome - he's such an awesome actor - like the 'Beetlejuice' films. I just love that Tim Burton stuff.
I always think that you finish one movie, you start a new one, and you think, 'OK. I did that last one. Now I've learned. I know how this works.' Then by the end of the movie, you think, 'No, I don't, really.'
'Brotherhood of the Wolf' is a very important movie because it represents something new. The director Christophe Gans came up with the idea of taking a French legend and making it some kind of really strange, almost Chinese action movie. The result is something that I haven't seen anywhere before.
I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by Kazan and was called Baby Doll.
I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by [Elia] Kazan and was called Baby Doll.
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