A Quote by Matthew Stafford

I really like 'Gladiator.' I like 'The Dark Knight.' I really liked, when I was a kid, 'U.S. Marshalls.' I like funny movies, too. 'Old School' and 'The Hangover.' 'The Hangover' was up there; I liked it.
I'm proud of The Hangover, but to be in movies like this, which are really the only places I can get work, it's really quite the opposite of what I am. I like sensitive art-house movies. I'm not even much of a partier. I mean, I'll drink myself into oblivion alone in my car.
There are these creative shows, all on cable, that are just so daring and out there. That's the stuff I really want to be a part of, like with 'Sucker Punch' and 'Hangover 2.' Those movies didn't hold back. They really went for it.
I didn't like school at all. I never liked the seven different classes system. I liked having just one, like in elementary school - less disruption. I liked history. I failed math and science and gave those teachers a hard time.
I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.
There's a darkness under 'The Hangover' because ultimately there's a missing person and it's not really that funny. There's a sort of darkness under it that I love, and still people are laughing as hard if not harder than they did in 'Old School.'
I liked Augustus Waters. I really, really really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially-fraught free throws.
'The Hangover' was, like, solid. I laughed a bit, you know. Seven out of 10, maybe. But I made it 32 minutes into 'Hangover 2' before I walked out.
The comedians I liked were Bill Cosby and Steven Wright, like just always as a comedic actor. I always liked Gary Larson, who's really funny for a cartoonist, obviously.
I'm profoundly lucky. I really like it. I really like my work. I've liked it since I was 5 years old.
People just like the thrill of anything. Dangerous things and dark things are exciting. Like as a kid, I knew I wasn't going to get killed if I went into the Haunted House but you kind of feel like you are. And when it comes out the track the other side, it's like, "we're still alive"! And I find it really funny when adults get really scared because I've not been really scared since I saw Jaws when I was a little kid. I just think people like the thrill of it, they like to feel like they accomplished something, that they survived the movie.
I liked Bugs Bunny. He was pretty good. He's annoying as a duck and he's anti-proletarian. Daffy Duck I couldn't see what was going on with him. He seemed like he was angry about something. My favorite one though is Pinocchio. I liked that kid. He was made of wood. I liked that for a start. I also liked how he'd tell a lie and his nose would grow. I liked the morality of that.
I never really liked the lyrics or the sameness of the music. It always seemed to have the same rhythm or whatever. But when it turned a little more rock, I kind of liked it. I like what Kid Rock did to country. I like all the modern, new stuff that's coming out, and it just so happens that my boyfriend is not a country player, but he was a rock musician.
I loved writing for the school newspaper. I liked to report and interview people, but I really liked to write columns, funny columns.
I felt a gravitational pull to the material so that there's a certain element of acting that's not really necessary. I've really liked this in foreign movies before or I've observed others working with them and I've noticed that there's a method that goes on where the actors try and get the children, like the child actor, to interact with them in a real way. It seems like you're the adult trying to get the kid to fall in love with him.
I think that-that anyone, the painter, the musician, the writer works in a-a kind of an-an insane fury. He's demon-driven. He can get up feeling rotten, with a hangover, or with-with actual pain, and-and if he gets to work, the first thing he knows, he don't remember that pain, that hangover-he's too busy.
There's something I really like about network TV. You have this humongous audience, tens of millions of people, and you really can be in a little hut in Thailand; you really can be in the middle of an apartment in Dubai. There's something about public entertainment that I always liked. I like smaller movies, and I like public entertainment.
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